Currently Browsing: art materials
Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit more […]
This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]
A couple months ago I picked up a Stillman & Birn Soft Cover Zeta Book. I don’t use Stillman & Birn books. I don’t care for the way they make their hardcover books and their papers are either too lightweight, or in other ways not responsive to the way I work. With so many other […]
To wrap up Brush Pen week I was going to go on an on about the brush pen some more, but I realized that in 2015 I wrote a post that includes a video on brush pens from Jet Pens as well as a bunch of links to various brush pen posts in my blog. […]
I love the brush pen so much that I write about it almost constantly. Every so often I make a concerted effort to get people to try it. That’s what this week is about. My blog posts are all brush-pen related. I’d like to begin by mentioning that I didn’t always like the brush pen. […]
I can’t help myself, my favorite palette box is the Schmincke Square pan box. Since 2000, I’ve been using them for my larger travel palettes of watercolor and gouache—filling them with the paints I want to use. Then for a long time the square box hasn’t been available. (I’ve actually been afraid of loosing my existing […]
Left: Six stacks of drawers and a couple boxes of materials waiting for the pick up. (Materials on the table are from an aborted trip I couldn't take because of an injury—I didn't even worry about putting that stuff away, I was that focused on sending the stamps to their new home.) The boxes contain the […]
A Gigapan view of 30 Birds in 30 Days and a link to my art materials recommendations at Wet Paint
Above: No this isn't a pigeon, this is my first sketch on my first trip to this year's Minnesota State Fair. I walked into the Swine barn at 10:52 a.m. (running late) and met this pig, who was napping, but kept opening his eye and twirling his ears around, listening to all the barn sounds. A 9 x 7 inch, 300 lb. hot press Fabriano Artistico journal card, with Faber-Castell Albrecht Dürer Watercolor Pencils used dry. I was just getting used to this card size and these pencils on this paper. I wasn't really interested in drawing the pen as the light strokes there suggest, but the pig looked like it was floating, without that. I miss my definitive ink lines, but I pushed forward because I love experiements and a challange. Click on the image to view an enlargement.
Yesterday I did make it to the Fair to test out my new selection of materials. As mentioned in the caption above, I decided this year to go with pencils and not use pens for sketching. This still seems very odd to me, but after the above warm up sketch, I had some good moments. The main difficulty for me is that at 9 x 7 the card size is a bit too large for me when working with pencil. I need to fill up the space quickly and the pencil doesn't do that, the way I use pencils. We'll see, as we move into other visits I may come to love these cards.
Left: Pigeon test sketch on the new wet media illustration board from Strathmore. Approx 5 x 7 inches. Faber-Castell Albrecht Dürer Watercolor Pencils. This is a pigeon I met at last year's State Fair. I drew it using sketches made at that time for reference. Click on the image to view an enlargement.
The Minnesota State Fair starts today!
One of the fun side effects of getting yourself organized for the State Fair—and no I don't go on Opener (as I like to call it to the consternation of fisherman everywhere) because I like to let the food vendors get the kinks out before I show up—is that you have the perfect excuse for trying out new paper. (OK, I don't really need much of an excuse. It just has to be a paper that might prove useful to me.)
Strathmore creates some excellent papers that literally make my work possible. I love their 500 Series plate Bristol for pen and ink work (2-ply) and for painting (5-ply). Many of their drawing papers are suitable for binding into journals used by visual artists. Their 500 Series is their top of the line paper. Now they have an addition to this series: Illustration Board for Wet Media.