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Snow Pile By Any Means Necessary
The weather is turning warm again, getting back into the 20s (Fahrenheit). I’ve been able to sketch a couple snow piles this winter, but I think it wasn’t until almost the end of December that I got one! Before the weather gets too warm and we want to think only of other things, I thought […]
Tips on Drawing with a Dried Out Brush Pen (or Marker for that Matter)
At the left is the sketch I’ll be demonstrating in my video below. A persistent cough for the past 3 months has kept me from being chatty on my sketching videos. Most of these sketch videos end up as pieces for my Patreon demonstration site. But if I’m working silently to avoid coughing when I […]
Some Brush Pens with Color Ink
200824-pen review from Roz Stendahl on Vimeo. In the above video I look at some brush pens, and discuss how they work for me. I hope this gives you an idea of whether or not these pens will be useful for you. The items reviewed can be found at Jetpens.com at the following links. (I […]
Review: New Toned Watercolor Paper Sketchbooks From Hahnemühle
Spoiler Alert, I really enjoyed working on this paper. If that’s all you need to know I understand that Wet Paint has received a shipment. Contact them to purchase a book. (I’m going to go buy my copies at curbside tomorrow! Call them at 651-698-6431 and they’ll explain all that to you.) In the video […]
Review: Clairefontaine Watercolor Sketchbook
Background on the Testing of This Sketchbook Earlier this year a Clairfontaine representative wrote and asked if I would like to test one of their new watercolor sketchbooks. Typically I buy all materials that I test and review on my website. This time, because I use many Clairfontaine notebooks and love them all I […]
Paper Matters: Is There A Right Paper?
For artists making works on paper media selection and method of application of course both matter, but too often artists forget that paper matters too. Have you been seduced by an art supply catalog into purchasing a substandard, non-artist grade paper? I see it all the time in my student’s questions. They’ve spent money on […]
In Context: Looking at the Arteza Watercolor Book Part 7
This is me using up left over watercolor paint and working opaquely (for the most part) in the Arteza Watercolor Book. This paper is fine for working opaquely with either watercolor or gouache. I find the paper is a bit draggy when working opaquely, especially with my watercolor flats. I find myself wishing I’d chosen […]
In Context: Looking at the Arteza Watercolor Book Part 5
On this page of my Arteza Watercolor Book I was testing fountain pens—using my Sailor Fude Fountain pen with Platinum Carbon Black ink. The pen moves well on the slightly textured paper. The ink settles quickly and doesn’t bleed when you add your washes. (I go in pretty quickly with my washes so I […]
Stonehenge Aqua Review Part 1—Overview and the Cold Press Surface
In 2017 I requested Stonehenge Aqua samples based on a company promotion. I’m sure many of you did the same. You’ve probably already made your decision about this paper. I spent most of January 2018 working on Stonehenge Aqua 140 lb. watercolor paper in both the cold press and hot press surfaces. For various reasons—the […]
Looking at Canson Heritage Watercolor Paper
This past fall I purchased a block of 140 lb. hot press Canson Heritage Watercolor paper. It is a 100 percent cotton paper with a non-animal sizing. (Yep, I am not happy about the sizing, but there you have it.) Since then I’ve been working on it to complete a project. I haven’t posted sketches […]