Currently Browsing: Sakura Pigma Professional Brush Pen 24 articles

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Working Transparently and Opaquely with Watercolor

My eyes have still not settled down after the cataract surgeries (January 28 and March 5). There are some issues which appear to be permanent. I’ll deal with them in another post. Today I wanted to write about the drive to paint in color, the need to push paint around. If you saw the journal […]

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Don’t Sweat Ink Blots

  Look if you’re making an illustration for a client or inking a piece to hang on the wall, an ink blot can be unfortunate. But if you’re working quickly in your journal and you get a blot—laugh, smile, take a big breath, wonder at the unique shape that the ink made as it fell […]

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A Little Bit of Bright Color in a Portrait

You already know how I feel about the paper in the Arteza Watercolor Book—pretty ambivalent at best; but there is nothing like a bit of bright color to make you smile. And if you are working loosely with a flat brush, you might just start giggling because you’re having so much fun. Get out your […]

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The Property Brothers Make Change Seem Easy (with Hard Work)

I’m probably the only person on the planet who sees “Property Brothers” as a show about change, adaptation, and living in the present moment. (As I write this I’m also including “Property Brothers: Buying and Selling,” as I watched them all simultaneously; and I have since started watching the new, “Property Brothers: Forever Home.”) While […]

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In Context: Sketching Hair

It is a universally understood truth that when I see hair I go big. We can chat about this some day, but I think it’s obvious why—I spent my childhood and young adulthood focusing on birds and dogs—it’s all about the volume. 

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Rewatching “Death in Paradise”

In January I started rewatching “Death in Paradise.” It’s a “murder/detective/fish-out-of-water” show that I have enjoyed since first seeing it on PBS several years ago. I don’t want to give significant details away about the whole arc of the series, but basically an English policeman, not well liked at home for being a bit fussy […]

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Another Portrait on Canson Heritage Watercolor Paper

One thing I found that I really liked with Canson Heritage watercolor paper was the way a wide range of pens worked beautifully on its surface. (I was testing the hot press surface.) In this portrait I used a fountain pen filled with Platinum Carbon Black and two Sakura Pigma Professional brush pens with solid […]

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Painting on Canson Heritage Watercolor Paper

    I’ve already written a little bit about Canson Heritage Watercolor paper in a couple posts on the blog. I’ve admitted that I like the way my pens work on its hot press surface. I’ve admitted that even though it has a non-gelatin sizing I enjoy working on it either with transparent washes  or with […]

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In-Context: Before Cataract Surgery

Even avid readers of the blog might not recognize when this was sketched unless it had the date on it. I know exactly when it was sketched because I can still feel how my eyes felt on this day as I searched for the lines. I have found it interesting to observe my own artistic […]

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Do You Stop Or Keep Pushing?

One of the things I’m asked most frequently by students is, “When do I know I’m finished with my [painting/sketch]?” I’ve heard many people give the flip response, “When you realize that you’ve gone to far, then you know you should have stopped.” It’s actually more simple and more complex than that. First, yes, if […]

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