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Textures: Backgrounds for Visual Journaling and Mixed Media Begins June 1, 2019

  “Textures: Backgrounds for Visual Journaling and Mixed Media” registration is now open. Class begins on June 1.  There are 6 weeks of lessons in which students work through the process of creating backgrounds for their artwork. I share my favorite materials and approaches and provide detailed information on those materials so that you can […]

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Testing Papers for the 2018 Minnesota State Fair

Before I go to the Fair each year I test a bunch of papers to see which bound book (containing that paper) I want to take and work with, or which loose sheets I want to carry and work upon. On this sheet I also worked with a Niji Waterbrush. I knew that for some […]

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Warm Ups: Some More Thoughts…

I’ve written about warm ups many times, but readers still often forget how important they are. So I’m sharing some warm up pieces from my journals again today, before I get some more warm ups done and get my day going. My goal with warm ups is to check myself on my ability to correctly […]

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Projects versus Series?

  Sometimes in classes I have students ask me what the difference is between a project and a series. I believe the difference is basically slim to none depending on how the user of these words understands and defines them.  Dictionary.com defines “project” as something that is contemplated, devised, or planned; plan; scheme. a large […]

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Limited Choices Lead to Successful Projects

  After my post last week about doing creative projects many people wrote in to tell me that they were inspired to start a project. One accomplished artist wrote in to ask advice: Just looking for advice. After listening to the podcast on projects I’ve decided to take up the challenge. Over the years I’ve […]

Brush pen and watercolor sketch made from a Sktchy muse—a young woman wearing a fake beard. (I like to draw beards, what can I say.) The finished page has a Montana Acrylic Marker background applied after the sketch was finished.

Just Try It: Pushing a Drawing Beyond Finished

How do we make decisions, fast decisions, when sketching out in the field? By making decisions during practice, and comparing results. Some people can hold two versions of a piece in their mind and weigh what the future work will look like.  For artists just starting out there might seem to be too many possibilities.  […]

Moods and Momentum in Your Daily Drawing Practice

The sketch in today’s post is the first sketch I did on the day following my November 19, 2017 fall (torn tendons and ligaments, and small fracture in left foot). I think you can tell from the sketch exactly how high my frustration level is as I sit up with a pen, my foot in […]

My sketch of Dick when I was in the emergency. I can see by the line that it is less fluid than normal, stopping almost artificially and turning at various points in a way I don't usually do. Additional there are restatements that I've obviously zoned out in—making more and more marks in one area instead of balancing marks across the surface. And there are several places where I can see and remember I made marks even though I was telling myself, "Don't." I just couldn't hear myself through the pain.

Why Drawing Practice Matters and What Your Line Can Tell You

Readers of my blog know that I love observing my process. I can’t help myself. Even during emergencies. I think you can learn a lot about yourself and find ways to always sketch. On November 19 I fell in a friend’s foyer. I was rushing across the foyer to my fanny pack to change my […]

Roz’s 2016 End-of-Year Wrap Up

Above: My year-end assessment, usually made around Thanksgiving, of how many journal pages I have to finish. This year I was testing a lot of commercially bound journals and had a bunch of journals going. This page was scanned before the Large Nostalgie was filled on 12.30.16, and before the Loose Sheets and Bell Museum project […]

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Looking Back at Prepping for the Minnesota State Fair

Above: Warm up contour sketches of live finches in an aviary setting. I used a Tombow Calligraphy pen (hard tip) for the sketching and an extra bold (chisel tipped) Uni Posca paint pen for the purple background. I outlined the bird on the recto page with a Pentel Pocket Brush Pen after the purple was […]

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