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Simple Approaches for Backgrounds—A Five-Part Series: Part 5 Lifting Off Color

This is Part Five of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. I’m going to end this series with the simplest approach to background texture—color lift off. To do this you need a paper with sufficient surface sizing […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 3 Patterns

This is Part Three of a five-part series on simple approaches to backgrounds in the visual journal and paintings. See Part One here. Today I wanted to look at pattern—it’s something that you can use to quickly fill up the background space around a subject. I’ve written about some of my favorite approaches numerous times […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

Here's another detail of today's sketch so you can see the paper and stroke texture.

New Winsor & Newton Watercolor Paper Part 3: Professional Hot Press

This is the third and final part of my three part series on the new watercolor paper lines from Winsor & Newton: Professional, which is their wood-free fine-art line; and Classic which is their wood-pulp (but acid free) paper. See part one in the series here. Note that this is the NEW Winsor & Newton […]

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New Winsor & Newton Watercolor Paper Part 2: Classic Cold Press

Before doing my watercolor demo at Wet Paint on April 7, 2018 I had to test the “Classic” cold press sample I’d been given. I feel that “Classic” is a bit confusing as names go. To me that sounds like “traditional,” or “original.” While I don’t drink Coca Cola, it sounds like Coke Classic and […]

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New Winsor & Newton Watercolor Paper Part 1: Professional Cold Press

    Note: This is part one of a three part review of the new Watercolor papers from Winsor & Newton. The others will be coming out over the next week. Please wait to read all the parts before you decide to dive in or hold back. Change Happens: Winsor & Newton Kills One Watercolor […]

Two quick pen sketches while I sat in the waiting room at the Allergist's.

In Context: At the Allergist’s

Sometimes it’s the line or angle or shape of a subject that attracts us. We need to get it down as quickly as possible because we don’t know when the subject will leave. (My first subject was called away before I could do any development.) Sometimes it’s the volume or brilliance of something contrasted against […]

Direct brush sketch with watercolor on the new Winsor & Newton Watercolor Paper.

New Winsor & Newton Watercolor Paper Debut at Wet Paint

Mark your calendars. Saturday, April 7, 2018 from 11 a.m. to 4 p.m. there will be painting demonstrations to celebrate the release of the new Winsor & Newton Watercolor paper at Wet Paint, in St. Paul MN. The first 100 attendees will receive a free 22 x 30 inch sample sheet of this 140 lb. […]

Detail of the female portrait.

Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

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Hahnemühle Watercolor Sketchbook Review: Part 2

This is part two of a three part series on the Hahnemühle Watercolor sketchbook. Please click on this link to read part 1. Today I am going to look at two aspects of paper response in this watercolor sketchbook. These techniques are important to me and therefore I select books containing paper which can handle […]

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