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In Context: Looking at the Arteza Watercolor Book Part 7
This is me using up left over watercolor paint and working opaquely (for the most part) in the Arteza Watercolor Book. This paper is fine for working opaquely with either watercolor or gouache. I find the paper is a bit draggy when working opaquely, especially with my watercolor flats. I find myself wishing I’d chosen […]
In Context: Looking at the Arteza Watercolor Book Part 5
On this page of my Arteza Watercolor Book I was testing fountain pens—using my Sailor Fude Fountain pen with Platinum Carbon Black ink. The pen moves well on the slightly textured paper. The ink settles quickly and doesn’t bleed when you add your washes. (I go in pretty quickly with my washes so I […]
In Context: Looking at the Arteza Watercolor Book Part 4
Since there is no writing on this page in my Arteza Watercolor Book—direct brush painting with watercolor. I used a 5/8 inch flat wash brush and also a size 10 watercolor round for some of this. I should have worked a little harder to make enough wash for the background to not […]
In Context: Looking at the Arteza Watercolor Book Part 2
Key Points This is part two of my in context review of the Arteza Watercolor Book. (You can find them on Amazon and the link is in the first post in this series.) Use the navigation at the bottom of this post to go back to the first post in this series. There’s no text […]
Introspection and Gratitude
Today’s image has nothing to do with Memorial Day. I simply like to post a sketch with each blog post. I have written a post on Memorial Day pretty much every year I’ve had the blog. I think I’ve covered what I need to say about Memorial Day. I have a lot to be grateful […]
In Context: Sketching Hair
It is a universally understood truth that when I see hair I go big. We can chat about this some day, but I think it’s obvious why—I spent my childhood and young adulthood focusing on birds and dogs—it’s all about the volume.
Another Portrait on Canson Heritage Watercolor Paper
One thing I found that I really liked with Canson Heritage watercolor paper was the way a wide range of pens worked beautifully on its surface. (I was testing the hot press surface.) In this portrait I used a fountain pen filled with Platinum Carbon Black and two Sakura Pigma Professional brush pens with solid […]
Painting on Canson Heritage Watercolor Paper
I’ve already written a little bit about Canson Heritage Watercolor paper in a couple posts on the blog. I’ve admitted that I like the way my pens work on its hot press surface. I’ve admitted that even though it has a non-gelatin sizing I enjoy working on it either with transparent washes or with […]
Mop Brushes Are Your Friend
I know that sometimes you want that special brush that has the delightful point and gives you all the detail you crave. Today’s post isn’t about that brush. That brush is great when you need it, but if it’s the only brush you’re using your work is going to look fussy very fast. So what […]