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Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

Platinum Carbon Black ink fountain pen sketch with watercolor washes. This page was taped off with Nichiban masking tape. The tape removed cleanly. As mentioned in the text the paper buckles from the watercolor application—this is clearly see at the top of the scan where the page is wavy even when placed weighted on the scanner. I made this sketch later in my use of the book and am starting to grow accustom to water usage on the paper. The cold press texture of the paper allows interesting puddles of paint when using sedimentary colors like Azure blue. Mixing colors on the page is possible because of the quality of the sizing and the flow it promotes. (I was testing a palettes of new colors for this sketch.)

Hahnemühle Watercolor Sketchbook Review: Part 1

Today I’m going to begin a three part review of the Hahnemühle Watercolor Sketchbook. I suggest that you read all three parts before purchasing. I will write more about this in a moment. This sketchbook was released in 2017. I purchased two in the summer of 2017 but was unable to work in them until […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

Direct brush sketch with sedimentary colors.

Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

Testing gouache and water-soluble Pentel Brush Pen in the Handbook Watercolor Journal (approximately 8 inches square). Some stenciling is also used. I put color in the background because orange paint had seeped through from another spread and I thought orange everywhere drew the eye away from the seepage. Carl assured me all eyes would be on him so it wasn't necessary. He's been a little more full of himself since he returned.

Carl Has Come Home

Confused about Carl Too (see Friday) and Carl? Carl was my first Giganotosaurus model. He’s a Schleich, but he’s really large. I’ve never seen another one of their models be this large. He’s the only one I’ve seen in person. The last at the hobby store and then there were none. But I’ve enjoyed sketching […]

On a recent trip to the dentist I used my time in the waiting room to sketch a couple people. I was just warming up when I found myself alone, but then I was called too. I really like the top right sketch. I was able to get just the essential details to capture her face.

Waiting at the Dentist’s

I think it’s easy to always have a small pocket sketchbook with you so that you can make quick sketches of the people around you. When you’re somewhere it’s going to be impossible to get finished sketched (because either you or the model is going to leave quickly) find something you can focus on.  I […]

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Review of the Dylusions Creative Journal

If the above video doesn’t play, please click on the YouTube link to view it. Today I am reviewing the Dylusions Creative Journal from Ranger Ink. You can find it in many locations via a Google search. There are a variety of sizes for this journal. (I have the 9 x 12 inch journal. There […]

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Roz Emerges from Face Deprivation

This post was originally published on January 23, 2017 during my site transition. Above: A sketch at Cecil’s of an older woman finishing her meal, pen (a drying out Sakura Pigma Professional Brush Pen Fine Brush) and watercolor in an A6 (4.1 x 5. 8 inch or so) Hahnemühle Nostalgie Sketchbook that I carry in […]

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Relaxing and Sketching My Favorite TV Dog

Above: A Pentel Brush Pen of Swatch on Project Runway. Background texture—metallic stamp ink and stenciling. 8.25 x 11.75 inch Hahnemühle Nostalgie Sketchbook. Click on the image to view an enlargement—and look closely at the top eye, you can see Swatch looking. After avoiding Dick's cold germs for about 10 days they caught up with […]

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Sometimes People in an Audience Catch My Eye

Above: Line of people sitting in front of me at the opening performance for "Orphan Train." In the pocket size Hahnemühle Nostalgie book with a Sakura Pigma Sensei. I had the great good fortune to go to "Orphan Train" at the Minnesota History Theater on opening night. My friend, composer and musician Charlie Maguire did […]

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