Currently Browsing: Reviews

180403-sktchy-aa-w-n-cp-celluloseFixALtBRCRFeat

New Winsor & Newton Watercolor Paper Part 2: Classic Cold Press

Before doing my watercolor demo at Wet Paint on April 7, 2018 I had to test the “Classic” cold press sample I’d been given. I feel that “Classic” is a bit confusing as names go. To me that sounds like “traditional,” or “original.” While I don’t drink Coca Cola, it sounds like Coke Classic and […]

180331-sktchy-smg-w-n-cpCRALTBRFeat

New Winsor & Newton Watercolor Paper Part 1: Professional Cold Press

    Note: This is part one of a three part review of the new Watercolor papers from Winsor & Newton. The others will be coming out over the next week. Please wait to read all the parts before you decide to dive in or hold back. Change Happens: Winsor & Newton Kills One Watercolor […]

180401-sktchy-marc-scheff-w-n-cpCRAltBRFeat

New Winsor & Newton Watercolor Paper Debut at Wet Paint

Mark your calendars. Saturday, April 7, 2018 from 11 a.m. to 4 p.m. there will be painting demonstrations to celebrate the release of the new Winsor & Newton Watercolor paper at Wet Paint, in St. Paul MN. The first 100 attendees will receive a free 22 x 30 inch sample sheet of this 140 lb. […]

171026_19thCmenCRAltFeat

Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

171101_sktchy-b-thisCRBLog

Hahnemühle Watercolor Sketchbook Review: Part 2

This is part two of a three part series on the Hahnemühle Watercolor sketchbook. Please click on this link to read part 1. Today I am going to look at two aspects of paper response in this watercolor sketchbook. These techniques are important to me and therefore I select books containing paper which can handle […]

Platinum Carbon Black ink fountain pen sketch with watercolor washes. This page was taped off with Nichiban masking tape. The tape removed cleanly. As mentioned in the text the paper buckles from the watercolor application—this is clearly see at the top of the scan where the page is wavy even when placed weighted on the scanner. I made this sketch later in my use of the book and am starting to grow accustom to water usage on the paper. The cold press texture of the paper allows interesting puddles of paint when using sedimentary colors like Azure blue. Mixing colors on the page is possible because of the quality of the sizing and the flow it promotes. (I was testing a palettes of new colors for this sketch.)

Hahnemühle Watercolor Sketchbook Review: Part 1

Today I’m going to begin a three part review of the Hahnemühle Watercolor Sketchbook. I suggest that you read all three parts before purchasing. I will write more about this in a moment. This sketchbook was released in 2017. I purchased two in the summer of 2017 but was unable to work in them until […]

Journal page spread that is waiting for some journaling. (This is a page from January and it isn't what I'll be working on in the Sktchy live-stream because I will be working on that while you watch me!

30 Pages/30 Days—A New Sktchy Challenge Starting March 1, 2018

I’m very excited to tell you about a new Sktchy Challenge starting March 1, 2018: 30 Pages/30Days. It’s an Art Journaling challenge. I’ve been asked to be one of the featured artists. I’ll even be live-streaming the creation of a journal page on March 13! Click here to register. What is Sktchy? Well, if you’ve […]

Direct brush sketch using a heavily opaque watercolor which breaks up delightfully on the texture of this Jack Richeson Recycled Watercolor paper. (English Red)

Looking Again at Jack Richeson Recycled Watercolor Paper

  In 2012 I did a bunch of paintings and tests of Jack Richeson Recycled Watercolor Paper. It’s a 135 lb. Cold press paper that has a decidedly grey white color.  In one of my posts on this paper I actually admitted that the paper made me feel “very odd.” I shouldn’t like it. It’s […]

170811-sktchy-portrait-practiceCRBRBlog

Another Look at the Handbook Watercolor Journal

Things change over time. It’s a fact when you use art materials. Papers may be made for 400 years at a mill, but over your lifetime any paper you change will have subtle if not significant changes. The same is true for paints, and brushes. Some ingredients for paints might become scarce or no longer […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

RozWoundUp
Close Cookmode