Currently Browsing: watercolor

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Just Try It: Pushing a Drawing Beyond Finished

How do we make decisions, fast decisions, when sketching out in the field? By making decisions during practice, and comparing results. Some people can hold two versions of a piece in their mind and weigh what the future work will look like.  For artists just starting out there might seem to be too many possibilities.  […]

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New Winsor & Newton Watercolor Paper Debut at Wet Paint

Mark your calendars. Saturday, April 7, 2018 from 11 a.m. to 4 p.m. there will be painting demonstrations to celebrate the release of the new Winsor & Newton Watercolor paper at Wet Paint, in St. Paul MN. The first 100 attendees will receive a free 22 x 30 inch sample sheet of this 140 lb. […]

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Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

After completing a quick sketch with a solid fiber-tipped brush pen I picked up my 1 inch flat watercolor brush and added in washes on this piece.

Play with Different Brushes as Well as Different Pigments: More Green

I have been using a lot of green lately, so I’m not finished with my green series yet! While sketching the image shown today I used a 1 inch flat to apply the watercolor. Flats are great fun because you can turn them on edge and get lines, and you can touch the corner of […]

A 9 x 12 inch brush pen portrait with watercolor washes and a Montana Marker acrylic background. That yellowish color—that's Schmincke's Green Yellow.

This Is Not A Review—The Best Laid Plans

  Today I was going to start a week long review of either a sketchbook I’ve been working in or a paper I’ve been working on for the first part of the year. But life happened. Those reviews will still come along, probably in April. All the images are scanned and organized, I just haven’t […]

Direct brush sketch using a heavily opaque watercolor which breaks up delightfully on the texture of this Jack Richeson Recycled Watercolor paper. (English Red)

Looking Again at Jack Richeson Recycled Watercolor Paper

  In 2012 I did a bunch of paintings and tests of Jack Richeson Recycled Watercolor Paper. It’s a 135 lb. Cold press paper that has a decidedly grey white color.  In one of my posts on this paper I actually admitted that the paper made me feel “very odd.” I shouldn’t like it. It’s […]

Pen and watercolor sketch on Stonehenge Aqua Cold Press 140 lb. Watercolor paper (review of the paper coming in February).

In-Context: Just Go With It—Follow Your Nose

Often one sketch will lead to another. The other day, the world turned on its end and I was feeling a bit dark. I did some rapid fire sketches of all sorts of monsters in thumbnail. I’d post them but you wouldn’t be able to tell what they are. Just know they were tiny and […]

A 4 x 7 inch watercolor painting on leftover book board that has been prepared with gesso.

Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

Direct brush sketch with sedimentary colors.

Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

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