Currently Browsing: instructions 19 articles

190523-1-ink-blot-man-hahn-travelCRAltFeat

Don’t Sweat Ink Blots

  Look if you’re making an illustration for a client or inking a piece to hang on the wall, an ink blot can be unfortunate. But if you’re working quickly in your journal and you get a blot—laugh, smile, take a big breath, wonder at the unique shape that the ink made as it fell […]

Detail of today's painting.

Using Watercolor Flats and a Bit on Back-Runs

In this experiment on Canson Heritage Hot Press 140 lb. watercolor paper from the end of 2018 I used only a 1 inch large flat watercolor brush.  I’ve written other posts about how you can use the edge of the brush to do more linear bits, like the creases in the forehead, but in the […]

Detail of today's image.

Mop Brushes Are Your Friend

I know that sometimes you want that special brush that has the delightful point and gives you all the detail you crave. Today’s post isn’t about that brush. That brush is great when you need it, but if it’s the only brush you’re using your work is going to look fussy very fast. So what […]

180828-sktchy-2-j-b-Feat

Thinking about Dry Brush Portraits

One of my favorite things to do is to paint with watercolor in a dry brush fashion. What does that mean? Dry brush means that there is relatively little water on your brush. You move the pigment carrying brush across the paper and the brush picks up the texture of the paper.  For the best […]

190122-sktchy-ha-canson-heritageCRAltBRFeat

Do You Stop Or Keep Pushing?

One of the things I’m asked most frequently by students is, “When do I know I’m finished with my [painting/sketch]?” I’ve heard many people give the flip response, “When you realize that you’ve gone to far, then you know you should have stopped.” It’s actually more simple and more complex than that. First, yes, if […]

180801-3-bw-gutenbergCRAltBrFeat

Look Around for Elastic Faces

You’ll recall that last week I wrote about starting projects. My drawing examples were all faces. If you’re looking for muses to sketch and your family won’t pose for you (or can’t because your schedules don’t align) there are lots of folks on the Sktchy App who have elastic faces. Exaggerate them on not, it […]

180519-peppers-hatch-old-wn-hp-90CRAltFeat

Sketching Warm Up—A Quick Approach

Just as it is important to do your daily exercises, go for your walk, ride your bike, it’s important to do your drawing warm up. These can be done very quickly. The sketches on the above page spread were done in less than 12 minutes. That’s how long it takes to make my breakfast noodles. […]

180224-sktchy-andrew-hayward-beinfang-wc-redoCRBRfeat

Limited Choices Lead to Successful Projects

  After my post last week about doing creative projects many people wrote in to tell me that they were inspired to start a project. One accomplished artist wrote in to ask advice: Just looking for advice. After listening to the podcast on projects I’ve decided to take up the challenge. Over the years I’ve […]

180120_sktchy-ds-aquacpCRAltBR1FEAT

Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

A 9 x 12 inch brush pen portrait with watercolor washes and a Montana Marker acrylic background. That yellowish color—that's Schmincke's Green Yellow.

This Is Not A Review—The Best Laid Plans

  Today I was going to start a week long review of either a sketchbook I’ve been working in or a paper I’ve been working on for the first part of the year. But life happened. Those reviews will still come along, probably in April. All the images are scanned and organized, I just haven’t […]

RozWoundUp
Close Cookmode

Pin It on Pinterest