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Using Watercolor Flats and a Bit on Back-Runs
In this experiment on Canson Heritage Hot Press 140 lb. watercolor paper from the end of 2018 I used only a 1 inch large flat watercolor brush. I’ve written other posts about how you can use the edge of the brush to do more linear bits, like the creases in the forehead, but in the […]
Mop Brushes Are Your Friend
I know that sometimes you want that special brush that has the delightful point and gives you all the detail you crave. Today’s post isn’t about that brush. That brush is great when you need it, but if it’s the only brush you’re using your work is going to look fussy very fast. So what […]
Thinking about Dry Brush Portraits
One of my favorite things to do is to paint with watercolor in a dry brush fashion. What does that mean? Dry brush means that there is relatively little water on your brush. You move the pigment carrying brush across the paper and the brush picks up the texture of the paper. For the best […]
Do You Stop Or Keep Pushing?
One of the things I’m asked most frequently by students is, “When do I know I’m finished with my [painting/sketch]?” I’ve heard many people give the flip response, “When you realize that you’ve gone to far, then you know you should have stopped.” It’s actually more simple and more complex than that. First, yes, if […]
Look Around for Elastic Faces
You’ll recall that last week I wrote about starting projects. My drawing examples were all faces. If you’re looking for muses to sketch and your family won’t pose for you (or can’t because your schedules don’t align) there are lots of folks on the Sktchy App who have elastic faces. Exaggerate them on not, it […]
Sketching Warm Up—A Quick Approach
Just as it is important to do your daily exercises, go for your walk, ride your bike, it’s important to do your drawing warm up. These can be done very quickly. The sketches on the above page spread were done in less than 12 minutes. That’s how long it takes to make my breakfast noodles. […]
Limited Choices Lead to Successful Projects
After my post last week about doing creative projects many people wrote in to tell me that they were inspired to start a project. One accomplished artist wrote in to ask advice: Just looking for advice. After listening to the podcast on projects I’ve decided to take up the challenge. Over the years I’ve […]
Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds
This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]
This Is Not A Review—The Best Laid Plans
Today I was going to start a week long review of either a sketchbook I’ve been working in or a paper I’ve been working on for the first part of the year. But life happened. Those reviews will still come along, probably in April. All the images are scanned and organized, I just haven’t […]
In Context—Pumpkins
I really enjoy the fall because there are so many pumpkins around to sketch. I love playing with angle of where I’m sitting and how the pumpkin is turned because it can look so different. Mostly pumpkins give me an excuse to move the brush pen across the page. If you don’t have much time […]