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In Context—Paper Testing

For the first two months of 2018 I tested both the hot press and cold press versions of the new Stonehenge Aqua 140 lb. watercolor paper.  To do that I first bound two books. One contained hot press paper, the other cold press. I then used all the usual pens and paints I typically use […]

Here's another detail of today's sketch so you can see the paper and stroke texture.

New Winsor & Newton Watercolor Paper Part 3: Professional Hot Press

This is the third and final part of my three part series on the new watercolor paper lines from Winsor & Newton: Professional, which is their wood-free fine-art line; and Classic which is their wood-pulp (but acid free) paper. See part one in the series here. Note that this is the NEW Winsor & Newton […]

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New Winsor & Newton Watercolor Paper Part 2: Classic Cold Press

Before doing my watercolor demo at Wet Paint on April 7, 2018 I had to test the “Classic” cold press sample I’d been given. I feel that “Classic” is a bit confusing as names go. To me that sounds like “traditional,” or “original.” While I don’t drink Coca Cola, it sounds like Coke Classic and […]

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New Winsor & Newton Watercolor Paper Part 1: Professional Cold Press

    Note: This is part one of a three part review of the new Watercolor papers from Winsor & Newton. The others will be coming out over the next week. Please wait to read all the parts before you decide to dive in or hold back. Change Happens: Winsor & Newton Kills One Watercolor […]

Detail of the female portrait.

Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

Direct brush sketch using a heavily opaque watercolor which breaks up delightfully on the texture of this Jack Richeson Recycled Watercolor paper. (English Red)

Looking Again at Jack Richeson Recycled Watercolor Paper

  In 2012 I did a bunch of paintings and tests of Jack Richeson Recycled Watercolor Paper. It’s a 135 lb. Cold press paper that has a decidedly grey white color.  In one of my posts on this paper I actually admitted that the paper made me feel “very odd.” I shouldn’t like it. It’s […]

Moods and Momentum in Your Daily Drawing Practice

The sketch in today’s post is the first sketch I did on the day following my November 19, 2017 fall (torn tendons and ligaments, and small fracture in left foot). I think you can tell from the sketch exactly how high my frustration level is as I sit up with a pen, my foot in […]

The large, about 9 x 11 inch Japanese Lined Journal that I love to sketch in with the Pentel Brush Pen and Acrylic Markers. Carl Too is standing around watching the paper dry.

What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

Direct brush sketch with sedimentary colors.

Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]

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