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Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Protected: Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

There is no excerpt because this is a protected post.

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Protected: Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

There is no excerpt because this is a protected post.

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Protected: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

There is no excerpt because this is a protected post.

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Protected: Project Friday: A Bit More on Brush Pens

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This portrait was also made using the water-soluble color brush. I love the way you can pull shading out of the line. Sometimes I stroke the tip of the brush pen with my water brush and pick up diluted ink so that I can apply shading without a line on the paper.

Protected: My Love Affair with the Pentel Brush Pen

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Here's a detail of the test sketch. Look for the great granulation of the Cobalt Azure.

Protected: A New Square Paint Palette From Schmincke

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Saying Good-bye To Rubber Stamping?

Left: Six stacks of drawers and a couple boxes of materials waiting for the pick up. (Materials on the table are from an aborted trip I couldn't take because of an injury—I didn't even worry about putting that stuff away, I was that focused on sending the stamps to their new home.) The boxes contain the […]

Links of Possible Interest: Supplies at Wet Paint and a Gigapan of the 30 Birds in 30 Days Show

A Gigapan view of 30 Birds in 30 Days and a link to my art materials recommendations at Wet Paint

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Speaking of Pigeons: My First Visit to this Year’s State Fair

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Above: No this isn't a pigeon, this is my first sketch on my first trip to this year's Minnesota State Fair. I walked into the Swine barn at 10:52 a.m. (running late) and met this pig, who was napping, but kept opening his eye and twirling his ears around, listening to all the barn sounds. A 9 x 7 inch, 300 lb. hot press Fabriano Artistico journal card, with Faber-Castell Albrecht Dürer Watercolor Pencils used dry. I was just getting used to this card size and these pencils on this paper. I wasn't really interested in drawing the pen as the light strokes there suggest, but the pig looked like it was floating, without that. I miss my definitive ink lines, but I pushed forward because I love experiements and a challange. Click on the image to view an enlargement.

Yesterday I did make it to the Fair to test out my new selection of materials. As mentioned in the caption above, I decided this year to go with pencils and not use pens for sketching. This still seems very odd to me, but after the above warm up sketch, I had some good moments. The main difficulty for me is that at 9 x 7 the card size is a bit too large for me when working with pencil. I need to fill up the space quickly and the pencil doesn't do that, the way I use pencils. We'll see, as we move into other visits I may come to love these cards.

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Paper Choices: Strathmore Illustration Board for Wet Media

090820PigeonStrathIllBoardS Left: Pigeon test sketch on the new wet media illustration board from Strathmore. Approx 5 x 7 inches. Faber-Castell Albrecht Dürer Watercolor Pencils. This is a pigeon I met at last year's State Fair. I drew it using sketches made at that time for reference. Click on the image to view an enlargement.

The Minnesota State Fair starts today!
Go Sketch!

One of the fun side effects of getting yourself organized for the State Fair—and no I don't go on Opener (as I like to call it to the consternation of fisherman everywhere) because I like to let the food vendors get the kinks out before I show up—is that you have the perfect excuse for trying out new paper. (OK, I don't really need much of an excuse. It just has to be a paper that might prove useful to me.)

Strathmore creates some excellent papers that literally make my work possible. I love their 500 Series plate Bristol for pen and ink work (2-ply) and for painting (5-ply). Many of their drawing papers are suitable for binding into journals used by visual artists. Their 500 Series is their top of the line paper. Now they have an addition to this series: Illustration Board for Wet Media.

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