Currently Browsing: drawing practice 16 articles

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Why Drawing Matters

Drawing matters for a number of reasons. Last week I had a note from a past student who had recently lost her mother. The student had stopped drawing for months. Grief disrupts life in a thousand ways. When I was writing to her I was thinking about my own maternal loss this year, the death […]

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John Ruskin: The Father of Modern Sketchbook Practice

Tuesday in a Facebook group I belong to someone asked: “Which country originated the practice of the sketchbook?” Group members, myself included, got sidestepped into discussionsof what was a sketchbook, and the history of bookmaking, and I even looked into the Oxford English Dictionary and an online dictionary to see when the word “sketchbook” went […]

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2018 Drawing Practice—Drawing Live Subjects in Public

 All my life, one of the most exciting, energizing, and simply fun experiences I’ve enjoyed has been while I’m sketching live animals. It doesn’t matter if I’m at home with a dog visitor (we don’t have live in models any more) or out and about in the field checking out wild turkeys or walking around […]

Sketching two pumpkins that I was given last year. I love all the knobby bits and the stems, and don't mid that I go off the page! Brush pen on the new Folio paper in a handmade book. (The tab at the spine was inserted at the binding to make room for collage throughout the book.)

In Context—Pumpkins

I really enjoy the fall because there are so many pumpkins around to sketch. I love playing with angle of where I’m sitting and how the pumpkin is turned because it can look so different.  Mostly pumpkins give me an excuse to move the brush pen across the page. If you don’t have much time […]

Project Friday—Improving Your Drawing Practice with Repetition, the Right Tool, Being Invested, and Celebration

Above: Practice sketches in a 6 x 8 inch journal using a thick, soft, solid, fiber-tipped black brush pen and Montana Marker (background) as well as a large, fat-leaded Lyra metallic pencil. I’m feeling around to sense the nuance in the pose, the angle of the eyes, the negative space that first attracted me, to […]

Artist’s Sketchbook—A New Book on Sketching from Cathy Johnson

Left: Cover of the Artist's Sketchbook. Click on the image to view an enlargement. The publication of a new painting or sketching book from Cathy Johnson is always an happy and exciting event for me. Johnson is one of my art heroes. Like many other artists I was first aware of her work through her how-to-articles […]

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Project Friday: Just Get Something Down on Paper

Above: Selfie made with bold Uni Posca pen (orange, the tip is about 1/4 inch wide) and a Sakura Pigment Medium Brush Pen (solid tip). The drawing is in a 9 x 12 inch Dylusions journal—which I cannot recommend for structural reasons specific to how I work. I'm sorry, but when I've worked in it […]

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Tools and Subject Matter—Over a Life of Sketching

Above: A 10 minute sketch using a carbon-black ink felt-tipped brush pen sketch of Dick in the TV Room—focusing on Contours after a wearing day. Background: Montana marker. 9 x 12 inch Fabriano Venezia Journal page spread. (If you can't read the text, you can see a typed version at the end of this post.) […]

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Teaching Drawing: Why Demonstrate Different Media?

Above: Sakura Pigma BB (Bold Brush) Pen sketch of Dick sitting in the TV room, with purple washes of watercolor. (Orange is a Montana Marker—I didn’t put it together properly after refilling it, so it leaked.) In a 9 x 12 inch Fabriano Venezia journal. The Sakura Pigma BB is a felt-tipped brush pen, so […]

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Roz Wound Up Classes in February and May 2016

Above: 9 x 12 inch sketch of resting sheep at the 2015 Minnesota State Fair. (Sakura Pigma Sensei Pen and Schmincke pan watercolors.) If you would like to improve your ability to sketch live subjects in public join me for the 2016 Drawing Practice Class listed below. As 2015 wraps up it’s time to start […]

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