Currently Browsing: Stonehenge Aqua Watercolor Paper 10 articles
Stonehenge Aqua Review Part 5—A Look at the Hot Press Surface
This is part 5 of a multi-part review of Stonehenge Aqua cold press and hot press. Please see this link for the first post in the series. Hot press paper is my paper of choice, so I’m going to spend more time testing a new hot press paper than I am testing a cold press […]
Stonehenge Aqua Review Part 4—Washes on Hot and Cold Press
This is part four in a multi-part review of Stonehenge Aqua Watercolor paper. Please click here for part one and work your way through the series. When looking at papers I think it’s useful to compare things side by side. I suggest that you open each of the images in this post in a separate […]
Stonehenge Aqua Review Part 3—Color Pencil on the Hot Press Surface
This is part three in a multi-part review of Stonehenge Aqua. Please click here to view part one. If you wish to read part two please click here. At two future posts will deal with the hot press version of this paper and a wrap up. If you think I’m fussy about which brand and […]
Stonehenge Aqua Review Part 2—Ink on the Cold Press Surface and Binding
This is part two of a multi-part review of Stonehenge Aqua (hot and cold press) 140 lb. watercolor papers. Please see part one (which contains a recommendation summary) at this link. While I may have started as a child with color pencils I quickly transitioned to pen and ink. As a result of that I’ve […]
Stonehenge Aqua Review Part 1—Overview and the Cold Press Surface
In 2017 I requested Stonehenge Aqua samples based on a company promotion. I’m sure many of you did the same. You’ve probably already made your decision about this paper. I spent most of January 2018 working on Stonehenge Aqua 140 lb. watercolor paper in both the cold press and hot press surfaces. For various reasons—the […]
In Context—Fixing A Face
When you sketch directly in pen the lines aren’t always put down exactly where you wanted. But because it’s ink, at some point you decide not to correct your lines and create muddiness, but instead you simply finish the sketch and accept the loss of likeness. This isn’t a tragedy, it’s just part of the […]
In Context—Paper Testing
For the first two months of 2018 I tested both the hot press and cold press versions of the new Stonehenge Aqua 140 lb. watercolor paper. To do that I first bound two books. One contained hot press paper, the other cold press. I then used all the usual pens and paints I typically use […]
Play with Different Brushes as Well as Different Pigments: More Green
I have been using a lot of green lately, so I’m not finished with my green series yet! While sketching the image shown today I used a 1 inch flat to apply the watercolor. Flats are great fun because you can turn them on edge and get lines, and you can touch the corner of […]
In-Context: Just Go With It—Follow Your Nose
Often one sketch will lead to another. The other day, the world turned on its end and I was feeling a bit dark. I did some rapid fire sketches of all sorts of monsters in thumbnail. I’d post them but you wouldn’t be able to tell what they are. Just know they were tiny and […]
Same Pen—Different Papers
Throughout the spring this year I was testing watercolor papers. I made signatures of the watercolor papers I was testing and then used the same materials in each of the booklets. This is a quick and easy way to compare papers because you only have 16 pages until you can move on to the next […]