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Testing Langton-Prestige Watercolor Paper

  I have just started testing Daler-Rowney’s Langton-Prestige Cold Press Watercolor paper. In the above video you can see my first experiments with it and my first thoughts. If the video doesn’t play you can view it on Vimeo at this link. Normally in my demonstration videos I include any photo reference or still life […]

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Television Recommendation—Dead Still

I’ve been meaning to recommend “Dead Still” for over a year. This show popped up on Acorn.  It’s about a postmortem photographer working in the late 19th century in Ireland. There are some very interesting characters, a mystery about the man’s past which runs through the whole season, and incredible set decoration, wardrobe, and hairstyles. […]

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Review: New Toned Watercolor Paper Sketchbooks From Hahnemühle

Spoiler Alert, I really enjoyed working on this paper. If that’s all you need to know I understand that Wet Paint has received a shipment. Contact them to purchase a book. (I’m going to go buy my copies at curbside tomorrow! Call them at 651-698-6431 and they’ll explain all that to you.) In the video […]

©2019 Roz Stendahl. Detail of watercolor flat washes on this paper.

Review: Clairefontaine Watercolor Sketchbook

  Background on the Testing of This Sketchbook Earlier this year a Clairfontaine representative wrote and asked if I would like to test one of their new watercolor sketchbooks. Typically I buy all materials that I test and review on my website. This time, because I use many Clairfontaine notebooks and love them all I […]

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In Context: Looking at the Arteza Watercolor Book Part 8

Again I didn’t write anything on this journal page, so it’s a bit weird for “In Context” but it’s one more in my series of mini review comments on the Arteza Watercolor Book. What I enjoyed on this spread was the manner in which I could get some delicate wash techniques. I was using a […]

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Stonehenge Aqua Review Part 5—A Look at the Hot Press Surface

This is part 5 of a multi-part review of Stonehenge Aqua cold press and hot press. Please see this link for the first post in the series. Hot press paper is my paper of choice, so I’m going to spend more time testing a new hot press paper than I am testing a cold press […]

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Stonehenge Aqua Review Part 2—Ink on the Cold Press Surface and Binding

This is part two of a multi-part review of Stonehenge Aqua (hot and cold press) 140 lb. watercolor papers. Please see part one (which contains a recommendation summary) at this link. While I may have started as a child with color pencils I quickly transitioned to pen and ink. As a result of that I’ve […]

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Looking at Canson Heritage Watercolor Paper

This past fall I purchased a block of 140 lb. hot press Canson Heritage Watercolor paper. It is a 100 percent cotton paper with a non-animal sizing. (Yep, I am not happy about the sizing, but there you have it.) Since then I’ve been working on it to complete a project. I haven’t posted sketches […]

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The Blackwing Notebook

Sometimes I simply can’t help myself when I find lined notebook paper. A few months ago I was in Wet Paint and they had small notebooks by Blackwing (the company that makes the pencils with the rectangular erasers—I use the soft lead version to do my daily sudoku). The notebook is about 3.5 x 5.5 […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

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