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I love working in a series just in an evening—sketching the same subject over and over to see how I can approach it with different tools, media, or even just something like line which is infinitely variable. I’ve posted three sketches of British actor Robert Morley in this post. I became a fan of his […]
Hair, it’s one of the things that pulls me to draw a portrait. How does that person have his or her hair? I am particularly susceptible to Jane Austen dramatizations—so much wonderful 18th century or 19th century hair depending on how the film decides to go with fashion at the cusp of time. Or anything […]
I’m a little shaky typing this. I found out that actor Sean Connery passed away today. I’d gone on Instagram to post my photo of a new durum wheat loaf—and I saw my friend Tim’s note on Instagram. As a child in the 60s I wasn’t allowed to watch the Bond movies until I was […]
Above: Warm up sketch while watching a documentary on Isaac Mizrahi and a 1990s fashion show. I seem to have forgotten to write in the time, which was basically 30-40 minutes before starting the next sketch. All the sketches happen fairly quickly, but then I take time to watch the show. All images in today's […]
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A film goes behind the scenes in the fashion industry.
On July 15, 2008 I participated in the 48 hour Film Project in Minneapolis. "Teams" met on Friday night to draw genres and begin planning. I had volunteered to help and received a call that night that Greg Graham (who was directing and shooting the film) wanted me to show up at 10 a.m. Saturday and act! The film is now up on You Tube where you can view it if this embedded version doesn't work. The Pescado Affair. (The film runs about 4 minutes, you don't have time to not watch it!)
If you are unfamiliar with the 48 Hour Film Project you need to know that besides drawing a genre at the start of the 48 hours, all the groups are given the same following items to include: a character's name and occupation (Mr. or Ms. Perkinson; substitute teacher); a prop (fish— look for the many uses of fish throughout "The Pescado Affair"); and a line of dialogue: "You look very familiar.") All of these elements must appear in your film. The point is to eliminate attempts to pre-write and pre-plan before the competition starts.
The genre Greg and Andrea drew was Spy Genre; I think their interpretation is pretty fun.
No image on today's post. Instead I'm just going to encourage you to go out and see Disney's "Bolt." It's a delightful animation (great details, great action and angles) about a dog named Bolt who gets separated from his owner Penny. (I don't want to tell you more because I went knowing nothing more than that there was a rather crazy hamster in the movie. If you don't know more than this the opening scenes will be even more enjoyable for you.)
John Travolta gives voice to the title character and brings additional delicacy to this sweet tale. He has a lovely soft register to his voice and he utilizes it here in moments of surprise (such as when Bolt meets dogs in NYC who want to sniff his butt). Every second of his vocal performance is a delight. I will never look at Styrofoam® in the same way again.