Currently Browsing: Faber-Castell Pitt Artist’s Brush Pen 8 articles
See the full post to read details about this sketch and see close up images.
Just a need to draw something.
In this post I take a look at the pens I use and which papers I use them on, and why.
Left: A mixed-media page spread (the journal is turned so the head and tail of the book are at the right and left, making the image 8 x 13 inches). Read below for more details about this spread. Click on the image to view an enlargement. When you do you'll also be able to see the lovely texture of the Gutenberg paper.
I’ve been showing you backgrounds I’ve made while I’ve been recovering from a nasty summer cold. Today I’ve posted a spread with background decoration that was actually used for journaling already. It represents the return of my ability to concentrate, a happy day.
Here’s a Breakdown of What I Did
1. I started this page spread with flat brush strokes of Turquoise FW Acrylic ink around all the edges. Then I took a soft sumi brush and trailed Indigo FW Acrylic ink through the still wet strokes. And while things were still wet I spritzed everything with clean water to spread color even more. I let it sit for a couple weeks because I had a cold and because I wasn’t on this page spread yet.
Above: journal page spread where rubberstamped text forms the background. Click on the image to view an enlargement, and read below for more details. I'm still fighting a cold and suffering from Fair Withdrawal. I am aching to sketch something, anything, including two not-too-attractive pears (I like pears with a little more variety and oddness […]
Left: Here’s a quick photo of the final book we made at the Portrait Party. Top—the inside information page and the first page of the participants list (math is not my strong point and I wrote in 26 attendees when actually there were 27!); a portrait spread (all pairs were opposite each other on a spread) showing my portrait of Lynn Fisher (left) and Lynn Fisher's portrait of me (right—she took off years and years!); Ken Avidor’s overview sketch of the party participants; a cover with the optional title label. The book is 7 1/8 wide x 8 5/8 inches tall. I used Canson Mi Tientes to make the covers (people attending only had to bring cover paper). It is a 32-page, 5-hole stitch pamphlet. Click on the image to see an enlargement. (All artwork © of the listed artists who gave me permission to post.)
Last week I wrote a brief note about the MCBA Visual Journal Collective Portrait Party held on Monday, February 16. I wanted to give a more complete report, as well as provide a visual of the book which we made.
I arrived at MCBA at about 6:10 p.m. to start setting up for the 7 p.m. meeting. With the help of Emma Allen who is the adult programs coordinator at MCBA and the co-coordinator of the Collective I got extra cover materials set out (she and I both brought extra paper as we thought people would forget), organized our workspace, and I started creating “work stations.” I came with a plan all written out in steps because I knew once we started people were going to have questions and I would need to be several places at once. Having a written plan people could read was invaluable.
Above: A sketch of Gert, my rubber chicken puppet, who serves as my "life model" since Dottie's death. I have more to say about this 13 inch x 8 inch page spread below. Click on the image for an enlargement.
This post has been a pain to get up on my blog. Typepad went whacko today. Auto-save feature doesn't seem to want to let me do anything. It has been very frustrating. If any of this makes it to my blog I wanted to write this up front so people know I wasn't trying to post an incomplete item. Here goes again, the fifth try to get my image and words going.
Above: A test spread from a Kunst & Papier Aquarellbuch/watercolor sketchbook. Click on the image to see an enlarged version.
Today marks the third month of my blog with daily posting, but today there is no contest to enter. My time the past few weeks has been taken up with label making and sign making for an upcoming show. I had a couple contest ideas bouncing in my head but no time to refine them. There will be contests on other days.
For now I'd like to share a product review on a commercially made sketchbook. I know not everyone makes his own books, nor even wants to. I also know at some point I won't be able to. (It's a rather physical enterprise and I wonder how long the hands and knees will hold up.) Consequently I'm always on the lookout for good commercially made journals.