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Backgrounds and What Goes on Top—Another View

091001Sheep

Above: I couldn’t sleep on Thursday night so I threw a couple sheep photos from the Fair up on my computer screen and sketched using a Pentel Pocket Brush Pen (most of the lines are now obscured) and Stabilo Tones. This journal has pages of Hahnemühle Gutenberg. Click on the image to view an enlargement.

I don’t have a before image of the background only for this page, but I think you can clearly see what was there. It was a completely painted background (I used acrylic inks). Next I took a silver Brilliance ink pad, and rubbed it on the right and left edges of the paper, over a torn mask so there is a soft wavy demarcation. It is most clearly seen at the left of the page spread, working its way up next to the ewe’s face. When the stamp ink was dry I did some outlining with a purple Faber-Castell Pitt Artist Brush Pen. Next I added a bit of collaged foil paper and a fortune. The last was totally covered by the ewe’s nose, and I didn’t write down what it said before I covered it—something about trying a bunch of things before settling and stability?!

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