Currently Browsing: Watercolor

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Testing the New Email Notification on Roz Wound Up

Today I’m posting to see if the new notification email I set up works.  I’ve posted a sketch I did last year to put on a handmade book cover. It’s a watercolor portrait on a disk of Claybord™. I don’t have anything else to say, except that it is fun to paint on Claybord™ because […]

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Looking Again at Jack Richeson Recycled Watercolor Paper

  In 2012 I did a bunch of paintings and tests of Jack Richeson Recycled Watercolor Paper. It’s a 135 lb. Cold press paper that has a decidedly grey white color.  In one of my posts on this paper I actually admitted that the paper made me feel “very odd.” I shouldn’t like it. It’s […]

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In-Context: Just Go With It—Follow Your Nose

Often one sketch will lead to another. The other day, the world turned on its end and I was feeling a bit dark. I did some rapid fire sketches of all sorts of monsters in thumbnail. I’d post them but you wouldn’t be able to tell what they are. Just know they were tiny and […]

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Another Look at the Handbook Watercolor Journal

Things change over time. It’s a fact when you use art materials. Papers may be made for 400 years at a mill, but over your lifetime any paper you change will have subtle if not significant changes. The same is true for paints, and brushes. Some ingredients for paints might become scarce or no longer […]

A page spread from my Hahnemühle Watercolor journal that I tested. I'll be posting a review soon!

In Context: Notes, and Lists, and Sketches All Together

For today’s in context post I wanted to show you how when I need to make a note and work out which new pigments I want to buy and I’ve left my list at home, I simply sit down and work it out in the journal I’m using—even if it contains watercolor paper. Above you […]

A 4 x 7 inch watercolor painting on leftover book board that has been prepared with gesso.

Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

First page spread for 2018—a hardbound journal that is made with Stonehenge Aqua 140 lb. Cold Press watercolor paper. (Journal approx. 8 x 8 inches square.)

In Context: Snow Piles

Typically on New Year’s Day I go and sketch at Como Zoo. This year, it seemed impractical to try to park (Como is always crowded on New Year’s Day), walk the long distance to the entry, walk to the Aquatic building (where I could sketch puffins), and reverse the process while keeping my toe warm […]

My sketch of Dick when I was in the emergency. I can see by the line that it is less fluid than normal, stopping almost artificially and turning at various points in a way I don't usually do. Additional there are restatements that I've obviously zoned out in—making more and more marks in one area instead of balancing marks across the surface. And there are several places where I can see and remember I made marks even though I was telling myself, "Don't." I just couldn't hear myself through the pain.

Why Drawing Practice Matters and What Your Line Can Tell You

Readers of my blog know that I love observing my process. I can’t help myself. Even during emergencies. I think you can learn a lot about yourself and find ways to always sketch. On November 19 I fell in a friend’s foyer. I was rushing across the foyer to my fanny pack to change my […]

Direct brush watercolor sketch on a 4 x 6 inch scrap of book board that was gessoed before sketching.

Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With

My recent series on Zeta paper in the Stillman & Birn sketchbooks generated a lot of mail about paper. I know a lot of people get part way into a journal, find they aren’t enjoying the paper and feel constrained about wasting the paper by simply jumping to a new journal. I think to stay […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

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