Currently Browsing: Visual Vocabulary 41 articles
Short Painting Sessions Yield Impactful Results
Don’t let your internal critic, or your busy schedule tell you there’s no time to paint. Pick up a brush and soften some dark-valued watercolor (which can be diluted for lighter values) and make a quick sketch. Focus on the shadow shapes you see, don’t think about anything else. Even if your end result isn’t […]
Warm-up Sketches and Studies
I don’t think people spend enough time doing warm-ups and studies. I think part of the hold up is that people listen to their internal critics and buy into the “it’s got to be perfect” baloney. But part of the hesitation in doing more studies and warm-up sketches grows also out of a worry over […]
Simple Things to Sketch
There are a lot of simple things around your home to sketch. What you choose will reflect on what you’re interested in. Shapes, colors, values, negative space. Subjects around us keep us practicing for other subjects we’ve yet to meet. Enjoy exploring your home for simple subjects which yield greater understanding of all those skills […]
Mixed Media View of the Backyard: Expanding Your Visual Vocabulary
It’s always a great idea to take a moment and look out the window. Our neighbors at the back of our yard have a lush growth of ferns at this time of the year. I turned the page in my journal and sketched on this pre-painted background—the verso page background was in the same vein […]
Cerulean Blue Chromium—Does it Stay or Does It Go?
It shouldn’t surprise anyone that my friends like to talk to me about pigments. A couple years ago my friend Paul started talking to me about Cerulean Blue Chromium (CBC). In the Daniel Smith line it’s PB36. There is no standard usage of paint names in the industry so in a different line a different […]
Fun with Grids and Studies: Or Things to Do with Leftover Paint
You always have time to make tiny sketches. Don’t forget that! Even the tiniest of sketches allows you to work on your observational, paint mixing, and shape comprehension skills. And in my case, fascination with hair and beard styles. Background Events I’m doing the last bit of journal index catch up I had hanging over […]
Go with the Line—And Finish
When you draw directly with ink every mark you make is permanent (or is it? More on that in a moment). If you don’t nail the line positioning, length, and weight (thickness and thinness determined by pressure) it’s decision time—what do you do? I’ve seen a lot of students figuratively and literally throw up their […]
Vintage Hair—Mixed Media and Palette Organization
Today it’s a photo step-by-step and not a video as I paint a mixed media portrait with a vintage hair style. Since I’m not teaching currently I sometimes turn the drawing table camera on for my own benefit to look at how I progressed through stages. But sometimes I simply take photos at various stopping […]
A Watercolor Trick for Painting Vintage Hair (or any Hair)
You know that traditional landscape watercolorist’s trick of painting a glaze of yellow over the entire paper surface before building up the glazes of blue, and red, and other colors to set up a glow. The same approach works with hair. Like a landscape, hair has form and shape and texture. Certain bits stick out […]
Vintage Hair in Portraits
Vintage hair, I’ve been painting a lot of portraits of people from the 1800s and from the early 20th century. I am fascinated especially with women’s hair—typically piled into what look like impossible constructions. And then of course I’m equally fascinated with that happens to a 19th century man’s heavily creamed hairdo when he takes […]