Currently Browsing: Sakura Pigma Professional Brush Pen

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Another Look at the Handbook Watercolor Journal

Things change over time. It’s a fact when you use art materials. Papers may be made for 400 years at a mill, but over your lifetime any paper you change will have subtle if not significant changes. The same is true for paints, and brushes. Some ingredients for paints might become scarce or no longer […]

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In Context: Snow Piles

Typically on New Year’s Day I go and sketch at Como Zoo. This year, it seemed impractical to try to park (Como is always crowded on New Year’s Day), walk the long distance to the entry, walk to the Aquatic building (where I could sketch puffins), and reverse the process while keeping my toe warm […]

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Why Drawing Practice Matters and What Your Line Can Tell You

Readers of my blog know that I love observing my process. I can’t help myself. Even during emergencies. I think you can learn a lot about yourself and find ways to always sketch. On November 19 I fell in a friend’s foyer. I was rushing across the foyer to my fanny pack to change my […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]

A quick sketch of Carl Too using a dried out Sakura Pigma FB (fine brush point) pen on an extremely long piece of Stonehenge (12 x 6 inches. There is something really fun about sketching with a pen that is drying out, a sort of race. But also a license to scribble.

Housekeeping on Roz Wound Up

So I’m wondering how many readers know I have a newsletter? Since launching the new platform I’ve tried to do a newsletter every four to six weeks. The newsletter deals with information that I think my blog readers would enjoy—information on art-related books, art materials and so on. To make it interesting and non-repetive for […]

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Different Types of Brush Pens for Different Results

I write lots of posts about the Pentel Pocket Brush Pen and the various squeezy barreled brush Pens that Pentel makes. The beauty of those pens is the real brush tip with synthetic hairs. These individual hairs allow you to get broken strokes that play up the texture of the paper and add an emotional […]

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In Context—Grumpy Roz

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A New Square Paint Palette From Schmincke

I can’t help myself, my favorite palette box is the Schmincke Square pan box. Since 2000, I’ve been using them for my larger travel palettes of watercolor and gouache—filling them with the paints I want to use. Then for a long time the square box hasn’t been available. (I’ve actually been afraid of loosing my existing […]

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Still Scanning My Bell Museum Project…

This post was originally published on February 15, 2017 during my site transition. Above: All of the sketches in today’s post were done on 9 x 12 inch white Stonehenge. I used the Sakura Pigma Professional Brush Pen with a fine point. And on the final sketch I added some rapidly applied washes. (You can […]

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Roz Emerges from Face Deprivation

This post was originally published on January 23, 2017 during my site transition. Above: A sketch at Cecil’s of an older woman finishing her meal, pen (a drying out Sakura Pigma Professional Brush Pen Fine Brush) and watercolor in an A6 (4.1 x 5. 8 inch or so) Hahnemühle Nostalgie Sketchbook that I carry in […]

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