Currently Browsing: Roz Stendahl

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Roz’s 2018 International Fake Journal Wrap Up

How can I post a wrap up today when IFJM is still not over? This year because of a pending surgery (happily not needed after all) and other factors you can read about in my wrap up I did my fake journal in March 2018. You can access the wrap up and gallery of my […]

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In Context: At the Allergist’s

Sometimes it’s the line or angle or shape of a subject that attracts us. We need to get it down as quickly as possible because we don’t know when the subject will leave. (My first subject was called away before I could do any development.) Sometimes it’s the volume or brilliance of something contrasted against […]

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Hahnemühle Watercolor Sketchbook Review: Part 2

This is part two of a three part series on the Hahnemühle Watercolor sketchbook. Please click on this link to read part 1. Today I am going to look at two aspects of paper response in this watercolor sketchbook. These techniques are important to me and therefore I select books containing paper which can handle […]

Here is a detail of the sketch showing a bit of lifting around the nose.

A Couple More Thoughts on Green and Flat Brushes

I wanted to show another green-based watercolor I worked on last year while I was testing the Hahnemühle Watercolor Sketchbook. (A review with lots of details about that paper and the binding of that sketchbook will appear in a couple weeks.)  Today’s image was created mostly with watercolor flats. I went in with round brushes […]

Examples of the Simple Round Back Spine structure with cloth covered boards and recessed labels. (The book in the back has a raised label effect we will discuss.)

Simple Round Back Spine 2018 Class Registration Opens Today

Registration for “The Simple Round Back Spine” online bookbinding class opens today, Friday, March 9, 2018. Click on the link to go to the registration page. Class begins on March 31, 2018 with all lessons dropping at once so that students can work at their own pace during the month while I’m in the classroom […]

Direct brush sketch using a heavily opaque watercolor which breaks up delightfully on the texture of this Jack Richeson Recycled Watercolor paper. (English Red)

Looking Again at Jack Richeson Recycled Watercolor Paper

  In 2012 I did a bunch of paintings and tests of Jack Richeson Recycled Watercolor Paper. It’s a 135 lb. Cold press paper that has a decidedly grey white color.  In one of my posts on this paper I actually admitted that the paper made me feel “very odd.” I shouldn’t like it. It’s […]

Pen and watercolor sketch on Stonehenge Aqua Cold Press 140 lb. Watercolor paper (review of the paper coming in February).

In-Context: Just Go With It—Follow Your Nose

Often one sketch will lead to another. The other day, the world turned on its end and I was feeling a bit dark. I did some rapid fire sketches of all sorts of monsters in thumbnail. I’d post them but you wouldn’t be able to tell what they are. Just know they were tiny and […]

Pentel Brush Pen and gouache sketch on a pre-painting background. (Hand•Book Watercolor Journal.)

Textures 2018 Class Registration Closes February 3: Why Use Textures?

I am offering my “Textures: Backgrounds for Visual Journaling and Mixed Media” online again this year. The 2018 class begins on February 3. There are 6 weeks of lessons in which students work through the process of creating backgrounds for their artwork. I share my favorite materials and approaches and provide detailed information on on […]

A pen sketch using a Faber Castell Pitt Calligraphy pen (black ink) on Lettra Ecru. That's an all cotton paper that can be purchased from Neenah, and some local print shops and suppliers. 9 x 11 inches. The pen was running out of ink. I love when that happens.

Moods and Momentum in Your Daily Drawing Practice

The sketch in today’s post is the first sketch I did on the day following my November 19, 2017 fall (torn tendons and ligaments, and small fracture in left foot). I think you can tell from the sketch exactly how high my frustration level is as I sit up with a pen, my foot in […]

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Another Look at the Handbook Watercolor Journal

Things change over time. It’s a fact when you use art materials. Papers may be made for 400 years at a mill, but over your lifetime any paper you change will have subtle if not significant changes. The same is true for paints, and brushes. Some ingredients for paints might become scarce or no longer […]

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