Currently Browsing: Portraits

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In Context: Notes, and Lists, and Sketches All Together

For today’s in context post I wanted to show you how when I need to make a note and work out which new pigments I want to buy and I’ve left my list at home, I simply sit down and work it out in the journal I’m using—even if it contains watercolor paper. Above you […]

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Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

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Sometimes Technology Is Fun: The Last Half of 2017 on Sktchy

  Above: A short video slide show of the ortraits I made during the second half of 2017 while working with the Sktchy App. If it doesn’t show up here, you can view it on YouTube at this link. 2017 was a horrible year for me and technology. I had a scanner that didn’t work. […]

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Why Drawing Practice Matters and What Your Line Can Tell You

Readers of my blog know that I love observing my process. I can’t help myself. Even during emergencies. I think you can learn a lot about yourself and find ways to always sketch. On November 19 I fell in a friend’s foyer. I was rushing across the foyer to my fanny pack to change my […]

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What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

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Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With

My recent series on Zeta paper in the Stillman & Birn sketchbooks generated a lot of mail about paper. I know a lot of people get part way into a journal, find they aren’t enjoying the paper and feel constrained about wasting the paper by simply jumping to a new journal. I think to stay […]

Staedtler Pigment Liner on a 3M Post-it Note™, collaged with painted paper, and expanded. A Piecemeal portrait.

In Context: A Piecemeal Portrait of a Dog

Sometimes when I don’t like the paper in a journal I’m working in (here a Zeta Smooth, heavyweight journal from Stillman & Birn) I will sketch on Post-it Notes™ Sometimes I save those bits of paper and make a piecemeal portrait. (See the category list for additional piecemeal portraits.) See my four part review on […]

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Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

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Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]

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