Currently Browsing: Platinum Carbon Black Fountain Pen

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In Context—The Loose Line and Thoughts on Villainy

“In Context” posts are meant to be “no writing” and an unedited, un-redacted spread from my journal. So click on the image to enlarge it so you can read. 

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The Field Artist Watercolor Journal: A Review

It has been several months since I first picked one of these up. This review will be heartbreaking for me to write. They came so close with this commercially bound journal—sewn signatures, paper that actually liked watercolor, several convenient sizes, a covering material that’s pleasant to hold… So What Is Wrong With This Book? The […]

Detail of the female portrait.

Hahnemühle Watercolor Sketchbook Review: Part 3

Today is the final part of my three-part review on the Hahnemühle Watercolor Sketchbook. See Part One of the review here. See Part Two of the review here In today’s post I wanted to write about the book structure itself. I’ll then wrap up with a final comment about the paper quality. Binding and Covering […]

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Hahnemühle Watercolor Sketchbook Review: Part 2

This is part two of a three part series on the Hahnemühle Watercolor sketchbook. Please click on this link to read part 1. Today I am going to look at two aspects of paper response in this watercolor sketchbook. These techniques are important to me and therefore I select books containing paper which can handle […]

Platinum Carbon Black ink fountain pen sketch with watercolor washes. This page was taped off with Nichiban masking tape. The tape removed cleanly. As mentioned in the text the paper buckles from the watercolor application—this is clearly see at the top of the scan where the page is wavy even when placed weighted on the scanner. I made this sketch later in my use of the book and am starting to grow accustom to water usage on the paper. The cold press texture of the paper allows interesting puddles of paint when using sedimentary colors like Azure blue. Mixing colors on the page is possible because of the quality of the sizing and the flow it promotes. (I was testing a palettes of new colors for this sketch.)

Hahnemühle Watercolor Sketchbook Review: Part 1

Today I’m going to begin a three part review of the Hahnemühle Watercolor Sketchbook. I suggest that you read all three parts before purchasing. I will write more about this in a moment. This sketchbook was released in 2017. I purchased two in the summer of 2017 but was unable to work in them until […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

In Context—Favorite Papers

Sometimes you can search and search and test and test, and you just keep coming back to a favorite paper. For me I love to paint on white Stonehenge paper. It isn’t a watercolor paper—the washes need a different handling than on watercolor paper. Yet there is something so fun about working on the paper—the […]

Sketching with the Platinum Carbon Black fountain pen (containing that ink) in an 8 x 10 inch journal. While coughing…

In Context—Working in a Series While Coughing

I managed to catch a cold bug and then come down with bronchitis so coughing has made sketching a bit difficult this fall. (Gasp, there have even been some missed days!) Today’s image is an example of the type of thing I’ve been up to. Thank goodness for the Sktchy App when you’re ill. So […]

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