Currently Browsing: Pens

A pen sketch using a Faber Castell Pitt Calligraphy pen (black ink) on Lettra Ecru. That's an all cotton paper that can be purchased from Neenah, and some local print shops and suppliers. 9 x 11 inches. The pen was running out of ink. I love when that happens.

Moods and Momentum in Your Daily Drawing Practice

The sketch in today’s post is the first sketch I did on the day following my November 19, 2017 fall (torn tendons and ligaments, and small fracture in left foot). I think you can tell from the sketch exactly how high my frustration level is as I sit up with a pen, my foot in […]

Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]


In Context—Favorite Papers

Sometimes you can search and search and test and test, and you just keep coming back to a favorite paper. For me I love to paint on white Stonehenge paper. It isn’t a watercolor paper—the washes need a different handling than on watercolor paper. Yet there is something so fun about working on the paper—the […]

Sketching with the Platinum Carbon Black fountain pen (containing that ink) in an 8 x 10 inch journal. While coughing…

In Context—Working in a Series While Coughing

I managed to catch a cold bug and then come down with bronchitis so coughing has made sketching a bit difficult this fall. (Gasp, there have even been some missed days!) Today’s image is an example of the type of thing I’ve been up to. Thank goodness for the Sktchy App when you’re ill. So […]

8 x 10 inch pen and watercolor sketch on Fluid 100 140 Hot Press watercolor paper using the Molotow masking pen. You can see areas where I applied mask in the bandana, beard, and shirt. I was using the 4mm tip (I couldn't find the finer tip) and working loosely. If you want finer lines you can  purchase a refilled and use a toothpick, brush, or other tool, to apply this liquid mask.

Useful Tools: The Molotow Grafx Art Masking Liquid Pump Marker

If you paint in watercolor, inks, or acrylics, chances are at some point you’ve tried to mask something off so that you could retain the white of your paper, or an earlier color that you had laid down.  Artists use lots of products for masking—tape is the obvious one, especially if you want to create […]

Detail on FA.

Same Pen—Different Papers

Throughout the spring this year I was testing watercolor papers. I made signatures of the watercolor papers I was testing and then used the same materials in each of the booklets. This is a quick and easy way to compare papers because you only have 16 pages until you can move on to the next […]

A quick sketch of Carl Too using a dried out Sakura Pigma FB (fine brush point) pen on an extremely long piece of Stonehenge (12 x 6 inches. There is something really fun about sketching with a pen that is drying out, a sort of race. But also a license to scribble.

Housekeeping on Roz Wound Up

So I’m wondering how many readers know I have a newsletter? Since launching the new platform I’ve tried to do a newsletter every four to six weeks. The newsletter deals with information that I think my blog readers would enjoy—information on art-related books, art materials and so on. To make it interesting and non-repetive for […]

Here I wanted to capture the looseness of the hair so I elected to work with a very minimal graphite sketch (simply the position of the head and minimal positional lines for the features). Then I worked wet-in-wet with watercolor to get the looseness I wanted.

Hair—Something I Love To Sketch

One of the things that attracts my eye to a possible face to sketch is the hair of that person. I like it when people get inventive with their hairstyles. It’s a little bit of living vicariously for me, because as you might know I haven’t changed my hairstyle since I was in my twenties!  […]


Different Types of Brush Pens for Different Results

I write lots of posts about the Pentel Pocket Brush Pen and the various squeezy barreled brush Pens that Pentel makes. The beauty of those pens is the real brush tip with synthetic hairs. These individual hairs allow you to get broken strokes that play up the texture of the paper and add an emotional […]

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