Currently Browsing: Stonehenge Aqua Watercolor Paper

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Stonehenge Aqua Review Part 5—A Look at the Hot Press Surface

This is part 5 of a multi-part review of Stonehenge Aqua cold press and hot press. Please see this link for the first post in the series. Hot press paper is my paper of choice, so I’m going to spend more time testing a new hot press paper than I am testing a cold press […]

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Stonehenge Aqua Review Part 4—Washes on Hot and Cold Press

This is part four in a multi-part review of Stonehenge Aqua Watercolor paper. Please click here for part one and work your way through the series. When looking at papers I think it’s useful to compare things side by side. I suggest that you open each of the images in this post in a separate […]

Detail of color pencil sketch on Stonehenge Aqua Hot Press.

Stonehenge Aqua Review Part 3—Color Pencil on the Hot Press Surface

This is part three in a multi-part review of Stonehenge Aqua. Please click here to view part one. If you wish to read part two please click here. At two future posts will deal with the hot press version of this paper and a wrap up. If you think I’m fussy about which brand and […]

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Stonehenge Aqua Review Part 2—Ink on the Cold Press Surface and Binding

This is part two of a multi-part review of Stonehenge Aqua (hot and cold press) 140 lb. watercolor papers. Please see part one (which contains a recommendation summary) at this link. While I may have started as a child with color pencils I quickly transitioned to pen and ink. As a result of that I’ve […]

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Stonehenge Aqua Review Part 1—Overview and the Cold Press Surface

In 2017 I requested Stonehenge Aqua samples based on a company promotion. I’m sure many of you did the same. You’ve probably already made your decision about this paper. I spent most of January 2018 working on Stonehenge Aqua 140 lb. watercolor paper in both the cold press and hot press surfaces.  For various reasons—the […]

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In Context—Fixing A Face

When you sketch directly in pen the lines aren’t always put down exactly where you wanted. But because it’s ink, at some point you decide not to correct your lines and create muddiness, but instead you simply finish the sketch and accept the loss of likeness. This isn’t a tragedy, it’s just part of the […]

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In Contest—Paper Comparisons

Note: Oops, that’s embarrassing, a typo in the post’s title. “In Context.” To change it now will mess up the permalink. If you are testing papers to see whether you like working on them then it is important that you test all your usual techniques to ensure that the paper will respond in ways that […]

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In Context—Paper Testing

For the first two months of 2018 I tested both the hot press and cold press versions of the new Stonehenge Aqua 140 lb. watercolor paper.  To do that I first bound two books. One contained hot press paper, the other cold press. I then used all the usual pens and paints I typically use […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

Uniball Vision pen with green-black ink sketch and watercolor, paint pens, and acrylic marker on Stonehenge Aqua hot press watercolor paper.

Mixed Media—Working Loose When Your Ink Runs

It can easily happen to anyone at any time—you do a really cool ink sketch, get the watercolors (or other water-based medium) out, start to paint, and watch as the ink color dissolves from the line and spreads into your paint. This bothers a lot of my students. I’ve even heard them gasp, cry out, […]

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