Currently Browsing: Mixed Media

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I’ll Be Teaching a Workshop at SketchKon 2018

I’m excited to announce that I’m teaching at the Sketchbook Skool and Artists Network SketchKon in November  2 to 4, 2018 (with a workshop class on November 1). It’s in Pasadena, California.  The SketchKon website went up a couple days ago. Click on that link to read about the event, the schedule of activities, the […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 4 Fold Outs

This is Part Four of a five-part series on simple approaches to backgrounds in the visual journal and paintings. See Part One here. Last December I was buried beneath the latest of the blog transfer issues. I didn’t get to post a number of images and posts I’d worked up. Today’s image falls well into discussion […]

Uniball Vision pen with green-black ink sketch and watercolor, paint pens, and acrylic marker on Stonehenge Aqua hot press watercolor paper.

Mixed Media—Working Loose When Your Ink Runs

It can easily happen to anyone at any time—you do a really cool ink sketch, get the watercolors (or other water-based medium) out, start to paint, and watch as the ink color dissolves from the line and spreads into your paint. This bothers a lot of my students. I’ve even heard them gasp, cry out, […]

Mixed media portrait using a variety of pens, acrylic marker, and gouache, over a pre-painted textured background. (Stonehenge Aqua cold press 140 lb. Watercolor paper—a review of this paper is coming to the blog in February!)

Reasons To Take An Online Class With Roz…

  Saturday, February 3 the next session of my “Textures: Backgrounds for Visual Journaling and Mixed Media” starts. It’s a six week class that takes you through my process for make pre-painted and textured backgrounds for visual journaling and other artworks.  Registration closes Saturday at 8 p.m. (CST). I’m really excited about the class. I’m […]

Pentel Brush Pen and gouache sketch on a pre-painting background. (Hand•Book Watercolor Journal.)

Textures 2018 Class Registration Closes February 3: Why Use Textures?

I am offering my “Textures: Backgrounds for Visual Journaling and Mixed Media” online again this year. The 2018 class begins on February 3. There are 6 weeks of lessons in which students work through the process of creating backgrounds for their artwork. I share my favorite materials and approaches and provide detailed information on on […]

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Another Look at the Handbook Watercolor Journal

Things change over time. It’s a fact when you use art materials. Papers may be made for 400 years at a mill, but over your lifetime any paper you change will have subtle if not significant changes. The same is true for paints, and brushes. Some ingredients for paints might become scarce or no longer […]

A 4 x 7 inch watercolor painting on leftover book board that has been prepared with gesso.

Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

I believe in the value of making a mess. I believe that sometimes you just need to make marks on a page, just to get things down on a page and to keep the flow going.

In-Context—Doodling

 

Here is an earlier version of this sketch before I got the gouache out.

A Little Bit of Piecemeal Evolution: Dog Portrait

The other day I was working on a dog sketch from an image on Sktchy. I ran off the page with my green brush pen sketch and of course turned it into a “Piecemeal Style” painting, complete with washi tape and of course finished off with gouache. I didn’t think about taking photos at each […]

Mixed media sketch (8.5 x 11 approx. on Nostalgie) using brush pen and green Uni Posca marker, followed by acrylic paint markers, watercolor, and color pencil. There's a little bit of pink gel pen in some areas, but it wasn't showing up so I went in search of other tools; oh, and a bit of red-china marker.

How Do We Pick The Subjects For Our Art?

  My childhood was spent in many places, amidst many cultures. Something I always found, wherever I was—birds. It didn’t matter if we were in Switzerland and it was pigeons on the city window sill, in a Fijian village where chickens were scratching for survival, or an animal sanctuary where Emus had perfected the ninja […]

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