Currently Browsing: Commercially Bound Journals

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What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

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Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

Direct brush sketch with sedimentary colors.

Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]

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Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

A couple months ago I picked up a Stillman & Birn Soft Cover Zeta Book. I don’t use Stillman & Birn books. I don’t care for the way they make their hardcover books and their papers are either too lightweight, or in other ways not responsive to the way I work. With so many other […]

Actor Brad William Henke in his role as the vicious prison guard in "Orange is the New Black." 9 x 12 inch Fabriano Venezia journal. Sepia Pentel Color Brush and water to dilute ink.

More Television Viewing in October

While under the weather in October I used my couch time productively to binge watch the remaining episodes of the Netflix Comedy-Drama “Orange is the New Black.” I’ve enjoyed the show since it first came out. Set in a women’s prison the show has a strong cast of female leads and over the first five […]

Detail on FA.

Same Pen—Different Papers

Throughout the spring this year I was testing watercolor papers. I made signatures of the watercolor papers I was testing and then used the same materials in each of the booklets. This is a quick and easy way to compare papers because you only have 16 pages until you can move on to the next […]

A full spread sketch in the largest Hahnemühle Nostalgie sketchbook. I used a Bienfang Magenta watercolor brush pend to start and did the comb and wattles and area around the eye. A little different approach for me because I usually start with the eye. Then I decided to paint some of the features, add color to the background, and also add some stenciling detail to the background.

When Do You Stop? When Is A Drawing Finished

I think the number one question I get from students is: “When do I know my drawing is finished?” Most people aren’t going to like the answer. You’ll know after you’ve taken a ton of sketches past the point of no return. Here’s the thing, you’re asking a question that involves choices both stylistic choices […]

Testing gouache and water-soluble Pentel Brush Pen in the Handbook Watercolor Journal (approximately 8 inches square). Some stenciling is also used. I put color in the background because orange paint had seeped through from another spread and I thought orange everywhere drew the eye away from the seepage. Carl assured me all eyes would be on him so it wasn't necessary. He's been a little more full of himself since he returned.

Carl Has Come Home

Confused about Carl Too (see Friday) and Carl? Carl was my first Giganotosaurus model. He’s a Schleich, but he’s really large. I’ve never seen another one of their models be this large. He’s the only one I’ve seen in person. The last at the hobby store and then there were none. But I’ve enjoyed sketching […]

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Waiting at the Dentist’s

I think it’s easy to always have a small pocket sketchbook with you so that you can make quick sketches of the people around you. When you’re somewhere it’s going to be impossible to get finished sketched (because either you or the model is going to leave quickly) find something you can focus on.  I […]

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