Currently Browsing: Color Theory 76 articles
In Context: Studies Are Also Thoughts about Color Mixing
A peek in my journal—that’s what “In Context” posts are. And typically not a lot of text in the post. Here you see a gouache painting on toned paper. This happens to be a hand-bound book I made with Annigoni Designo. It’s about 7-1/2 x 9 inches closed. (All my rulers have migrated downstairs where […]
Short Painting Sessions Yield Impactful Results
Don’t let your internal critic, or your busy schedule tell you there’s no time to paint. Pick up a brush and soften some dark-valued watercolor (which can be diluted for lighter values) and make a quick sketch. Focus on the shadow shapes you see, don’t think about anything else. Even if your end result isn’t […]
Limited Palette Portrait
This weekend think about limiting your color choices so that you can maximize your color mixes. Here’s a portrait with the colors I used listed. Four pigments resulting in a lot of different mixes. When you mix with a limited palette your color mixes have a relationship to each mix that is also on your […]
Warm-up Sketches and Studies
I don’t think people spend enough time doing warm-ups and studies. I think part of the hold up is that people listen to their internal critics and buy into the “it’s got to be perfect” baloney. But part of the hesitation in doing more studies and warm-up sketches grows also out of a worry over […]
Another Limited Palette Portrait
You can click on the image to see an enlargement and read the text. I’ve got the colors swatched: Saturn Red, a cool red which I think is Quin Pink (based on how it’s reading in the finished portrait), Indanthone blue (PB60) and Azure Cobalt blue (because I love the granulation), Green Gold, Burnt Sienna […]
Limited Palette From Leftover Paint
At the end of last year I was sketching in a 10 x 10 inch journal I had bound with Strathmore 500 Series Printing Paper. This paper isn’t sized for wet media like watercolor. It’s meant to be printed on. But it was sent to me in large sheets and I thought, “Why not bind […]
Don’t Be Afraid of Messy Studies—What Are You Learning?
Too many of my students in the past have obsessed about perfection in their studies. They worry about their studies being messy, partially complete, and in every other way weak and unconvincing. They are worrying about the wrong thing. The purpose of a study is to try out an idea or approach. To give a […]
Art Supply Gifts That Derail Your Practice
It happens a lot, according to my students’s stories. A friend or family member gives them a fabulous art supply gift—all the watercolor tubes in the Daniel Smith line; all the gouache from Holbein; all the color pencils in the Primacolor Premier line. And the artist recipient hits overwhelm. Having an abundance of new options […]
In Context: Still Good Advice
I found this Earth’s World Fairgoer in my digital file from October 2024. The advice is still good. In fact I think I’ll do that as soon as I post this. (Click on the image to read the text.) Meanwhile, more advice, this time from me to you—if you want to think about color it’s […]
Cerulean Blue Chromium—Does it Stay or Does It Go?
It shouldn’t surprise anyone that my friends like to talk to me about pigments. A couple years ago my friend Paul started talking to me about Cerulean Blue Chromium (CBC). In the Daniel Smith line it’s PB36. There is no standard usage of paint names in the industry so in a different line a different […]