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Reasons To Take An Online Class With Roz…

  Saturday, February 3 the next session of my “Textures: Backgrounds for Visual Journaling and Mixed Media” starts. It’s a six week class that takes you through my process for make pre-painted and textured backgrounds for visual journaling and other artworks.  Registration closes Saturday at 8 p.m. (CST). I’m really excited about the class. I’m […]

A full spread sketch in the largest Hahnemühle Nostalgie sketchbook. I used a Bienfang Magenta watercolor brush pend to start and did the comb and wattles and area around the eye. A little different approach for me because I usually start with the eye. Then I decided to paint some of the features, add color to the background, and also add some stenciling detail to the background.

When Do You Stop? When Is A Drawing Finished

I think the number one question I get from students is: “When do I know my drawing is finished?” Most people aren’t going to like the answer. You’ll know after you’ve taken a ton of sketches past the point of no return. Here’s the thing, you’re asking a question that involves choices both stylistic choices […]

The original sketch which is a light quick pencil sketch, ink sketching added, watercolor, and acrylic marker. It's about 8 x 8 inches square on new Folio paper. (Remember I differentiate between the old style Folio and newer incarnation of that paper.)

Using Photoshop to Quickly Change Background Colors in a Scan

Sometimes you finish a sketch and you wonder, what would happen if I did “this” or “that.” But maybe you don’t want to try “this” or “that” because you don’t want to lose what you already have. I tend not to use Photoshop to change my sketches just because I prefer to work with natural […]

Here I wanted to capture the looseness of the hair so I elected to work with a very minimal graphite sketch (simply the position of the head and minimal positional lines for the features). Then I worked wet-in-wet with watercolor to get the looseness I wanted.

Hair—Something I Love To Sketch

One of the things that attracts my eye to a possible face to sketch is the hair of that person. I like it when people get inventive with their hairstyles. It’s a little bit of living vicariously for me, because as you might know I haven’t changed my hairstyle since I was in my twenties!  […]

Above: Sketch of a sleeping pig, pen and watercolor on a 9 x 12 inch watercolor board. During class you'll see me demonstrate how to work with pen and watercolor in close quarters even at crowded events like the Minnesota State Fair. (The demos include active animals so that you can see how it's possible to catch a likeness even when your subject is moving.)

There’s Still Time to Sign Up for Drawing Practice 2017

The 2017 session of my popular class “Drawing Practice: Drawing Live Subjects in Public” begins on April, 30. Registration for this class closes on April 29, 2017, at 11 p.m. Click on this link. This will be the last time that I offer this class with daily teacher participation. If you would like to get […]

During Bill Mahr's political talk show I did additional experiments. I found that quickly getting down general lines for the hands allowed me to be more "judicious" about placement with my bolder lines and create a less fussier form.

Experimenting with Line Quality And Working Method

Typically I like to work with one pen throughout an image and get a variety of line types from that pen by the way I angle the pen and the pressure I use. In the past couple of years, because of approaches I’ve tried during life drawing co-op settings where I take a larger variety […]

9 x 12 inch Wave paper "waste sheet" for cleaning silicone tipped spatula tool of acrylics. With Pentel brush pen sketch on top. (Sktchy photo inspiration—Macho Iberico.)

Use What You Have Out

I have a lot of students who tell me they don’t have time to sketch. They tell me they have to make a space to work or they have to get supplies out. They tell me that they don’t have time to make background textures. They also admit that they are doing about 15 other […]

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Happy New Year—Make 2017 A Year of Sketching

Left: Pentel Brush Pen and light washes of gouache on a Canson watercolor board (9 x 6 inches) with Montana Marker background. Reginald D. Hunter is a comedian/entertainer. Click on the image to view an enlargement.  I cut one finger pulling boxes down (paper cuts!!!) and cut another picking up something sharp. Typing slowly. But […]

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Project Friday—Improving Your Drawing Practice with Repetition, the Right Tool, Being Invested, and Celebration

Above: Practice sketches in a 6 x 8 inch journal using a thick, soft, solid, fiber-tipped black brush pen and Montana Marker (background) as well as a large, fat-leaded Lyra metallic pencil. I'm feeling around to sense the nuance in the pose, the angle of the eyes, the negative space that first attracted me, to […]

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By Design: Sign Up Anytime

Above: A page spread from one of my visual journals. During my By Design Class I address not only the component parts of a page, but the rationale behind making design decisions to create impact and organize your text and illustrations. Click on the image to view an enlargement.  Since the beginning of September 2016 […]

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