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Just Try It: Pushing a Drawing Beyond Finished

How do we make decisions, fast decisions, when sketching out in the field? By making decisions during practice, and comparing results. Some people can hold two versions of a piece in their mind and weigh what the future work will look like.  For artists just starting out there might seem to be too many possibilities.  […]

Another direct brush painting withe greenish umber, azure blue, and a bit of red (didn't note down the pigment).

Project Friday: Direct Brush Painting and Some More Green

In Monday’s post I wrote about how I am pushing myself to use more greens. Greens aren’t just for landscapes (which is good because I don’t do many landscapes). If you look closely you can often find green tones in people’s faces. But you can also abandon realistic color and go in with a variety […]

A 9 x 12 inch brush pen portrait with watercolor washes and a Montana Marker acrylic background. That yellowish color—that's Schmincke's Green Yellow.

This Is Not A Review—The Best Laid Plans

  Today I was going to start a week long review of either a sketchbook I’ve been working in or a paper I’ve been working on for the first part of the year. But life happened. Those reviews will still come along, probably in April. All the images are scanned and organized, I just haven’t […]

Pen and watercolor sketch, with acrylic marker background, done over a note Dick left me, which I'd previously stuck in my journal.

At Least I Wasn’t Abducted By Aliens: Keeping Your Sense of Humor and Productivity

Note: This blog post was originally set to run during the second week of January but technical issues with the blog delayed it. This version was edited for publication today. Anyone who bothered to stop by or call me from October through January this year knew things were tough. I was beyond grumpy because of […]

This is a small (about 3 x 4 inch) journal that I made using scraps of the tan-toned paper Nideggen. I used black backcloth and decorative paper that I made. (For information on how I make my decorative paper please join my Textures class.)

Letting Things Go, Even in the Pursuit of Goals: The Little Journal That Got Away

Note: This post was originally scheduled to run at the end of December 2017. Due to technical issues with the blog I’m just getting to it now. If you read my blog you’ll know that I keep track of the number of pages that I create each year. I do this because it is a […]

Mixed media portrait using a variety of pens, acrylic marker, and gouache, over a pre-painted textured background. (Stonehenge Aqua cold press 140 lb. Watercolor paper—a review of this paper is coming to the blog in February!)

Reasons To Take An Online Class With Roz…

  Saturday, February 3 the next session of my “Textures: Backgrounds for Visual Journaling and Mixed Media” starts. It’s a six week class that takes you through my process for make pre-painted and textured backgrounds for visual journaling and other artworks.  Registration closes Saturday at 8 p.m. (CST). I’m really excited about the class. I’m […]

A full spread sketch in the largest Hahnemühle Nostalgie sketchbook. I used a Bienfang Magenta watercolor brush pend to start and did the comb and wattles and area around the eye. A little different approach for me because I usually start with the eye. Then I decided to paint some of the features, add color to the background, and also add some stenciling detail to the background.

When Do You Stop? When Is A Drawing Finished

I think the number one question I get from students is: “When do I know my drawing is finished?” Most people aren’t going to like the answer. You’ll know after you’ve taken a ton of sketches past the point of no return. Here’s the thing, you’re asking a question that involves choices both stylistic choices […]

The original sketch which is a light quick pencil sketch, ink sketching added, watercolor, and acrylic marker. It's about 8 x 8 inches square on new Folio paper. (Remember I differentiate between the old style Folio and newer incarnation of that paper.)

Using Photoshop to Quickly Change Background Colors in a Scan

Sometimes you finish a sketch and you wonder, what would happen if I did “this” or “that.” But maybe you don’t want to try “this” or “that” because you don’t want to lose what you already have. I tend not to use Photoshop to change my sketches just because I prefer to work with natural […]

Here I wanted to capture the looseness of the hair so I elected to work with a very minimal graphite sketch (simply the position of the head and minimal positional lines for the features). Then I worked wet-in-wet with watercolor to get the looseness I wanted.

Hair—Something I Love To Sketch

One of the things that attracts my eye to a possible face to sketch is the hair of that person. I like it when people get inventive with their hairstyles. It’s a little bit of living vicariously for me, because as you might know I haven’t changed my hairstyle since I was in my twenties!  […]

Above: Sketch of a sleeping pig, pen and watercolor on a 9 x 12 inch watercolor board. During class you'll see me demonstrate how to work with pen and watercolor in close quarters even at crowded events like the Minnesota State Fair. (The demos include active animals so that you can see how it's possible to catch a likeness even when your subject is moving.)

There’s Still Time to Sign Up for Drawing Practice 2017

The 2017 session of my popular class “Drawing Practice: Drawing Live Subjects in Public” begins on April, 30. Registration for this class closes on April 29, 2017, at 11 p.m. Click on this link. This will be the last time that I offer this class with daily teacher participation. If you would like to get […]

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