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Simple Approaches for Backgrounds—A Five-Part Series: Part 5 Lifting Off Color

This is Part Five of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. I’m going to end this series with the simplest approach to background texture—color lift off. To do this you need a paper with sufficient surface sizing […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 4 Fold Outs

This is Part Four of a five-part series on simple approaches to backgrounds in the visual journal and paintings. See Part One here. Last December I was buried beneath the latest of the blog transfer issues. I didn’t get to post a number of images and posts I’d worked up. Today’s image falls well into discussion […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 3 Patterns

This is Part Three of a five-part series on simple approaches to backgrounds in the visual journal and paintings. See Part One here. Today I wanted to look at pattern—it’s something that you can use to quickly fill up the background space around a subject. I’ve written about some of my favorite approaches numerous times […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 1

I was organizing my images for blog posts and noticed that I had a lot of common themes, some not as obvious.  What do the images in today’s post and those referenced (linked) all have in common? Well all but one have backgrounds painted AFTER the sketch is made (and typically even after the sketch […]

Here's another detail of today's sketch so you can see the paper and stroke texture.

New Winsor & Newton Watercolor Paper Part 3: Professional Hot Press

This is the third and final part of my three part series on the new watercolor paper lines from Winsor & Newton: Professional, which is their wood-free fine-art line; and Classic which is their wood-pulp (but acid free) paper. See part one in the series here. Note that this is the NEW Winsor & Newton […]

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New Winsor & Newton Watercolor Paper Part 1: Professional Cold Press

    Note: This is part one of a three part review of the new Watercolor papers from Winsor & Newton. The others will be coming out over the next week. Please wait to read all the parts before you decide to dive in or hold back. Change Happens: Winsor & Newton Kills One Watercolor […]

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Roz’s 2018 International Fake Journal Wrap Up

How can I post a wrap up today when IFJM is still not over? This year because of a pending surgery (happily not needed after all) and other factors you can read about in my wrap up I did my fake journal in March 2018. You can access the wrap up and gallery of my […]

Uniball Vision pen with green-black ink sketch and watercolor, paint pens, and acrylic marker on Stonehenge Aqua hot press watercolor paper.

Mixed Media—Working Loose When Your Ink Runs

It can easily happen to anyone at any time—you do a really cool ink sketch, get the watercolors (or other water-based medium) out, start to paint, and watch as the ink color dissolves from the line and spreads into your paint. This bothers a lot of my students. I’ve even heard them gasp, cry out, […]

Brush pen and watercolor sketch made from a Sktchy muse—a young woman wearing a fake beard. (I like to draw beards, what can I say.) The finished page has a Montana Acrylic Marker background applied after the sketch was finished.

Just Try It: Pushing a Drawing Beyond Finished

How do we make decisions, fast decisions, when sketching out in the field? By making decisions during practice, and comparing results. Some people can hold two versions of a piece in their mind and weigh what the future work will look like.  For artists just starting out there might seem to be too many possibilities.  […]

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