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Have Fun By Working on a Different Surface

Sometimes it’s fun to work on a toned surface, whether you create that tone (or texture) yourself by preprinting the surface, or your work on a surface that comes toned. Typically I’ll work on toned paper but I had some chipboard in the studio for another project and grabbed a piece to sketch on the […]

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Dogs—Paws On Grand Is Coming Up

    This year, because of bronchitis I’m not going to be able to sketch dogs at Wet Paint for Paws On Grand. But I wanted to give you a heads up about this event because there  are going to be some great artists on hand ready to make quick portraits of your dog, cat, […]

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Blast from the Past: Sketch in Any Moment

I was clearing out the flat file while under the weather and not fit for much. I found today’s sketch and scanned it. Readers know that from July 1, 1998 through January 26, 2003 I drew a sketch of my Alaskan Malamute Bitch Dottie every day. I sometimes forget that besides filling 43 volumes of […]

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Easy Art Supply Shopping for Roz’s SketchKon Workshop

Wet Paint is my favorite locally owned independent art supply store. They have always been helpful by bringing in items that I need for my binding and art classes. They also put kits together for my local and online classes. While there is no kit or set supplies for my SketchKon 2018 Class “Donuts” there […]

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Follow Me on Instagram—During the Hiatus, the Interim, and Beyond

Yes I’ve been posting on Instagram. You can find me there under “rozstendahl.” You can also go to the top of my blog and click on the Instagram logo in the top right; or go to the bottom panel that’s on every page of my blog, then click on the Instagram logo on the top […]

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In Contest—Paper Comparisons

If you are testing papers to see whether you like working on them then it is important that you test all your usual techniques to ensure that the paper will respond in ways that support those techniques. Since prepainting backgrounds is an important part of the play and puzzle aspect of my practice comparison tests […]

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In Context—Paper Testing

For the first two months of 2018 I tested both the hot press and cold press versions of the new Stonehenge Aqua 140 lb. watercolor paper.  To do that I first bound two books. One contained hot press paper, the other cold press. I then used all the usual pens and paints I typically use […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 1

I was organizing my images for blog posts and noticed that I had a lot of common themes, some not as obvious.  What do the images in today’s post and those referenced (linked) all have in common? Well all but one have backgrounds painted AFTER the sketch is made (and typically even after the sketch […]

Here's another detail of today's sketch so you can see the paper and stroke texture.

New Winsor & Newton Watercolor Paper Part 3: Professional Hot Press

This is the third and final part of my three part series on the new watercolor paper lines from Winsor & Newton: Professional, which is their wood-free fine-art line; and Classic which is their wood-pulp (but acid free) paper. See part one in the series here. Note that this is the NEW Winsor & Newton […]

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