Currently Browsing: Art Materials

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In Context: Notes, and Lists, and Sketches All Together

For today’s in context post I wanted to show you how when I need to make a note and work out which new pigments I want to buy and I’ve left my list at home, I simply sit down and work it out in the journal I’m using—even if it contains watercolor paper. Above you […]

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Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

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What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

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Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With

My recent series on Zeta paper in the Stillman & Birn sketchbooks generated a lot of mail about paper. I know a lot of people get part way into a journal, find they aren’t enjoying the paper and feel constrained about wasting the paper by simply jumping to a new journal. I think to stay […]

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Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

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Part Three: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part three of a multi-part review of the smooth Zeta soft-bound journals from Stillman & Birn (S&B). You can see part one here. Yesterday I posted part two here. Working in Watercolor on the Smooth Zeta Paper I think it’s fair to say that most of my blog readers work with wet media—most […]

Using the Sakura Pigma Professional Brush pen in FB on the smooth Zeta paper. The lines are crisp, the pen is a bit draggy on this surface.

Part Two: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

This is part two of a multi-part review of the Stillman & Birn (SB) Smooth Zeta Soft-bound journal. You can see part one here. Today I wanted to look at two approaches for which the smooth heavyweight Zeta is suited. Mixed Media Because of its weight the paper is particularly suited to collage and mixed […]

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Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

A couple months ago I picked up a Stillman & Birn Soft Cover Zeta Book. I don’t use Stillman & Birn books. I don’t care for the way they make their hardcover books and their papers are either too lightweight, or in other ways not responsive to the way I work. With so many other […]

All my binding methods can be done at home without any special equipment. I stack my books with heavy art books as weights, there are also some bricks on the top of the stack that didn't make it into the photo. When I'm done binding everything gets put back on the shelves and it's life as normal.

New Adventures in Book Binding

It’s been a long time since I’ve been able to add a new entry into this series of posts started way back at the beginning of my blog! A shoulder injury has kept me from binding batches of books. I’ve bound a book now and then so I’d have a special Minnesota State Fair Journal, […]

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Making A Color Chart To Test My 2017 Fall Watercolor Box

Recently I purchased the new fall Schmincke Pan Watercolor Set at Wet Paint. This contains different colors than the one I purchased in the spring, added colors to, and then took to the Minnesota State Fair. While recovering from bronchitis I had some time on my hands so I decided to make a color chart […]

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