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Follow Me on Instagram—During the Hiatus, the Interim, and Beyond

Yes I’ve been posting on Instagram. You can find me there under “rozstendahl.” You can also go to the top of my blog and click on the Instagram logo in the top right; or go to the bottom panel that’s on every page of my blog, then click on the Instagram logo on the top […]

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In Contest—Paper Comparisons

If you are testing papers to see whether you like working on them then it is important that you test all your usual techniques to ensure that the paper will respond in ways that support those techniques. Since prepainting backgrounds is an important part of the play and puzzle aspect of my practice comparison tests […]

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In Context—Paper Testing

For the first two months of 2018 I tested both the hot press and cold press versions of the new Stonehenge Aqua 140 lb. watercolor paper.  To do that I first bound two books. One contained hot press paper, the other cold press. I then used all the usual pens and paints I typically use […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 2 Multi-color Backgrounds

This is Part Two of a five-part series on executing simple backgrounds in your journal or other artwork. Part One of this series can be found at this link. One of the simplest, yet most interesting approaches to a background, especially for a portrait, is to have broken color. This means that one or more […]

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Simple Approaches for Backgrounds—A Five-Part Series: Part 1

I was organizing my images for blog posts and noticed that I had a lot of common themes, some not as obvious.  What do the images in today’s post and those referenced (linked) all have in common? Well all but one have backgrounds painted AFTER the sketch is made (and typically even after the sketch […]

Here's another detail of today's sketch so you can see the paper and stroke texture.

New Winsor & Newton Watercolor Paper Part 3: Professional Hot Press

This is the third and final part of my three part series on the new watercolor paper lines from Winsor & Newton: Professional, which is their wood-free fine-art line; and Classic which is their wood-pulp (but acid free) paper. See part one in the series here. Note that this is the NEW Winsor & Newton […]

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New Winsor & Newton Watercolor Paper Part 2: Classic Cold Press

Before doing my watercolor demo at Wet Paint on April 7, 2018 I had to test the “Classic” cold press sample I’d been given. I feel that “Classic” is a bit confusing as names go. To me that sounds like “traditional,” or “original.” While I don’t drink Coca Cola, it sounds like Coke Classic and […]

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New Winsor & Newton Watercolor Paper Part 1: Professional Cold Press

    Note: This is part one of a three part review of the new Watercolor papers from Winsor & Newton. The others will be coming out over the next week. Please wait to read all the parts before you decide to dive in or hold back. Change Happens: Winsor & Newton Kills One Watercolor […]

Uniball Vision pen with green-black ink sketch and watercolor, paint pens, and acrylic marker on Stonehenge Aqua hot press watercolor paper.

Mixed Media—Working Loose When Your Ink Runs

It can easily happen to anyone at any time—you do a really cool ink sketch, get the watercolors (or other water-based medium) out, start to paint, and watch as the ink color dissolves from the line and spreads into your paint. This bothers a lot of my students. I’ve even heard them gasp, cry out, […]

I have a small clearer's caddy—the type of handled open-topped case that people who clean efficiently (professionals and other efficient folks) use to carry their cleaning products and tools from one room to the next. These are available in hardware and home stores, as well as online. This one cost about US$ 8. I cut stiff cardboard dividers to insert into the two main wells. These are held in place with tape on both sides so that they don't move. (See the side of the white pen area.) By keeping similar colors together I can reach quickly for a new pen as needed. Because the caddy is a caddy it has a handle (center piece as you look down). I can pick it up and move from room to room with my markers and use them anywhere I want. (Center partition on the topside contains masking and washi tapes for a project I was working on.)

Storing My Montana Acrylic Markers

I am frequently asked how I store my Montana Acrylic Markers. As you can see from the photo I use a cleaner’s caddy.  I cut stiff cardboard dividers to insert into the two main wells. These dividers are held in place with tape on both sides so that they don’t move. (See the side of […]

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