Currently Browsing: Acrylics

I have a small clearer's caddy—the type of handled open-topped case that people who clean efficiently (professionals and other efficient folks) use to carry their cleaning products and tools from one room to the next. These are available in hardware and home stores, as well as online. This one cost about US$ 8. I cut stiff cardboard dividers to insert into the two main wells. These are held in place with tape on both sides so that they don't move. (See the side of the white pen area.) By keeping similar colors together I can reach quickly for a new pen as needed. Because the caddy is a caddy it has a handle (center piece as you look down). I can pick it up and move from room to room with my markers and use them anywhere I want. (Center partition on the topside contains masking and washi tapes for a project I was working on.)

Storing My Montana Acrylic Markers

I am frequently asked how I store my Montana Acrylic Markers. As you can see from the photo I use a cleaner’s caddy.  I cut stiff cardboard dividers to insert into the two main wells. These dividers are held in place with tape on both sides so that they don’t move. (See the side of […]

A 4 x 7 inch watercolor painting on leftover book board that has been prepared with gesso.

Having Fun With Book Board Scraps

  In December I wrote, “Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With.”   In that post I wrote about gessoing over paper that you don’t enjoy working on so that you can still use the paper, but not feel limited by the paper in its manufactured state. […]

The large, about 9 x 11 inch Japanese Lined Journal that I love to sketch in with the Pentel Brush Pen and Acrylic Markers. Carl Too is standing around watching the paper dry.

What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

I believe in the value of making a mess. I believe that sometimes you just need to make marks on a page, just to get things down on a page and to keep the flow going.

In-Context—Doodling

 

Additional testing notes for rubber-stamp inks.

Searching for a New Rubber-Stamp Ink

I use pigmented rubber-stamp ink in my artwork. It’s a crucial part of what I like to do—creating surface texture with stamped lines and words: a type of visual collage without glue. (Don’t get me started on my problems finding a new glue.) It’s hard to believe I’ve been looking for a stamp ink replacement […]

Use What You Have Out

I have a lot of students who tell me they don’t have time to sketch. They tell me they have to make a space to work or they have to get supplies out. They tell me that they don’t have time to make background textures. They also admit that they are doing about 15 other […]

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Exquisite Corpse with Wet Paint

Above: An 18 x 30 inch acrylic painting I made on Stonehenge white. I began with a series of sketches and thumbnails. I blew elements up and composed them into place. I then drew my sketch with the Pentel Pocket Brush Pen and painted with Daniel Smith Acrylics, using large filberts—about 1- and 2-inches wide.  At […]

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