The mood we want to achieve in a finished illustration influences what type of pen we choose to work with—what type of line we want to express.
It’s obvious when I started to sketch this I was pulled by interest in the facial hair and short hair on the head, as well as the height of the mohawk—but still interested in leaving something of the paper.
It seemed to me as I worked that the only way to to deal with the profile and give it the emphasis it required was to use a thick black brush pen and quickly put in the background in bold strokes. That wasn’t the approach I’d wanted for the hair however. (I used the Sakura Pigma Professional Brush pen for the drawing.)
So don’t lock yourself in. Use all the pens you want to get the effects you want. Just make intentional choices.
Note: this is a page spread from one of my 2018 journals. It’s in the “not yet published folder” in my blog folder—but I post so many places these days that sometimes it’s difficult to keep track. (I used a chart for a bit, but that seemed ridiculous.)
Reading the page today it’s interesting to me that it was a cold and rainy day about 2 years ago, just as it is a cold and rainy day today—but Dick and I were just talking about how this has been an extraordinarily cold fall. I’ll have to go back and look at my exercise logs which include temperature, humidity, wind speed.
Oh, yeah, I guess I do like some charts!