Currently Browsing: December 2017 5 articles

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Protected: The Online Class Schedule for 2018 Is Up!

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The large, about 9 x 11 inch Japanese Lined Journal that I love to sketch in with the Pentel Brush Pen and Acrylic Markers. Carl Too is standing around watching the paper dry.

What’s on the Table?—The Curl of the Paper

I just love working in my favorite Japanese Lined Journals from APICA. The paper loves the Pentel Brush Pen. Sometimes I work in gouache on this paper, but sometimes I leave the sketch as is and turn the page. Other times I put in an acrylic marker background. I used an orange 15mm wide Montana […]

Direct brush watercolor sketch on a 4 x 6 inch scrap of book board that was gessoed before sketching.

Five Things To Do When You’ve Got Paper That’s Just Too Bad To Work With

My recent series on Zeta paper in the Stillman & Birn sketchbooks generated a lot of mail about paper. I know a lot of people get part way into a journal, find they aren’t enjoying the paper and feel constrained about wasting the paper by simply jumping to a new journal. I think to stay […]

Staedtler Pigment Liner on a 3M Post-it Note™, collaged with painted paper, and expanded. A Piecemeal portrait.

Protected: In Context: A Piecemeal Portrait of a Dog

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Mixed media sketch on Zeta—Pentel Dye-based brush pen, water brush, watercolor, acrylic marker background and collage. On most smooth papers I've used the dye-based ink of this particular Pentel brush pen lifts off well and creates interesting effects. That wasn't the case on this paper. Lifting this water-soluble ink on this paper was problematic and even gentle attempts led to pilling of the surface.

Part Four: Working in the Smooth Zeta Soft-bound Journal from Stillman & Birn

Today is part four of a multi-part series on the Stillman & Birn (S&B) smooth surface Zeta journals. You can read part one here. This post deals with some mix-media approaches and some pros and cons I discovered about this paper. You can read part two here. In this post I write a bit  more […]

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