Currently Browsing: April 2017 10 articles

A five-minute pencil sketch  of Dick as he sat on the couch in the TV room. I just grabbed my mechanical pencil with a very thick, soft lead, and a piece of scratch paper that was handy. (I can't even tell you which kind of paper because the sketch disappeared after scanning—I think I might have made a to-do list on the back…

Protected: Use Every Free Moment for Sketching.

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Quick sketches of some Bosc Pears with a Pentel dye-based brush pen. A Niji water brush was used to draw out the shading from the water-soluble ink lines. (All in the largest portrait Hahnemühle Nostalgie Sketchbook—the paper is a dream to work on with the PPBP and its cousins.)

What Do You Have on Hand?

It has been hectic here lately. I notice I’ve been getting grumpy. It’s not because I’m busy. I love being busy. It’s because I miss the Pentel Pocket Brush Pen (and the Pentel Colorbrush Pen cousins). All my projects involve other media right now. They leave little time in the day for my tired eyes to […]

Above: Sketch of a sleeping pig, pen and watercolor on a 9 x 12 inch watercolor board. During class you'll see me demonstrate how to work with pen and watercolor in close quarters even at crowded events like the Minnesota State Fair. (The demos include active animals so that you can see how it's possible to catch a likeness even when your subject is moving.)

Protected: There’s Still Time to Sign Up for Drawing Practice 2017

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A magenta Prismacolor pencil and black, Roasted French Ochre watercolor and white gouache sketch on Speckletone cardstock 6.25 x 9.25 inches (remnants from making greeting cards).

I Didn’t Know It But I Was Starting A New Series

Often the idea for a new series comes to us by accident. We’re working (that’s when the muse can best find us) and things we’re working with combine in new ways, jog a memory, present a challenge, and bingo a new series pops into our minds. That’s what happened at the end of March this […]

Additional testing notes for rubber-stamp inks.

Searching for a New Rubber-Stamp Ink

I use pigmented rubber-stamp ink in my artwork. It’s a crucial part of what I like to do—creating surface texture with stamped lines and words: a type of visual collage without glue. (Don’t get me started on my problems finding a new glue.) It’s hard to believe I’ve been looking for a stamp ink replacement […]

In a small landscape Hahnemühle Nostalgie journal I quickly sketched this snow pile with a fiber-tipped ink pen and washes pulled off my Pentel Brush pen with the Niji water brush.

Protected: Why I Love Snow Piles

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During Bill Mahr's political talk show I did additional experiments. I found that quickly getting down general lines for the hands allowed me to be more "judicious" about placement with my bolder lines and create a less fussier form.

Protected: Experimenting with Line Quality And Working Method

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9 x 12 inch Kilimanjaro Watercolor paper journal page. Brush pen and watercolor. The turkey was a yard visitor, the quotation was from a movie I was watching that night. Do they mean anything together? No, but I wanted to get the quotation down as I watched the movie. I knew I wanted to laugh and think about it some more. And I have.

Protected: Journaling Superstition #20: Your Text and Your Image Need to “Make Sense” Together

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This is a pen and watercolor sketch made from life at the Minnesota State Fair in 2016. In class you'll see me demonstrate sketching live animals at the Fair!

Protected: Drawing Practice: Drawing Live Subjects in Public—Class Begins April 30, 2017

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170318_PhyllisCRFeat

Protected: More Life Drawing in the Hahnemühle Nostalgie Sketchbook

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