So in June I was watching Perry Mason again, and decided to sketch with the PPBP of course. I wanted to leave details out and try to supply them with washes of gouache.
The PPBP works great on this paper, as does the gouache. It's a great way to get some sketching practice in. The black and white TV show makes seeing values quick without the distraction of color.
Right: Direct brush sketching with a number 12 round and light washes of Purple Magenta Schmincke gouache. (Tabitha Coffey from "Tabitha Takes Over.") This page too is from the Strathmore 500 Series Mixed Media journal that's too large to fit on my scanner.
In the two drawings of Tabitha Coffey at the right from June 27 I drew with the watercolor brush, washing lines out to shadow areas as I went. In the bottom sketch you can see how I repositioned her ear and rethought the size and angle of the head once I had committed to the nose and cheeks.
Purple magenta is kind of a disconcerting color to use for this monochromatic approach. But I enjoy it. And it was out on the palette.
If you have been working a lot with the PPBP I recommend that you take an evening and work with a watercolor brush and watercolor or gouache, to move away from the dark lines of the ink pen. It helps you rethink where you want to put shading and lines, and that's all useful when you jump back to using the PPBP and vice versa.
(Note: I just created a category for "brush pens" but if you want more posts on them you'll need to look for the Pentel Pocket Brush Pen, Aquash Brush Pen, and Bienfang Brush Pen in the blog's search engine. Sorry I didn't think of this category earlier. Also you could search for additional posts on Drawing with a brush. I'll start you out with this post of drawing with a brush pen and then taking it to a finished painting: "Journaling Superstitions #19: You Can't Journal without Your Journal.)