Currently Browsing: art materials
I can’t help myself, my favorite palette box is the Schmincke Square pan box. Since 2000, I’ve been using them for my larger travel palettes of watercolor and gouache—filling them with the paints I want to use. Then for a long time the square box hasn’t been available. (I’ve actually been afraid of loosing my existing […]
Left: Six stacks of drawers and a couple boxes of materials waiting for the pick up. (Materials on the table are from an aborted trip I couldn't take because of an injury—I didn't even worry about putting that stuff away, I was that focused on sending the stamps to their new home.) The boxes contain the […]
A Gigapan view of 30 Birds in 30 Days and a link to my art materials recommendations at Wet Paint
Above: No this isn't a pigeon, this is my first sketch on my first trip to this year's Minnesota State Fair. I walked into the Swine barn at 10:52 a.m. (running late) and met this pig, who was napping, but kept opening his eye and twirling his ears around, listening to all the barn sounds. A 9 x 7 inch, 300 lb. hot press Fabriano Artistico journal card, with Faber-Castell Albrecht Dürer Watercolor Pencils used dry. I was just getting used to this card size and these pencils on this paper. I wasn't really interested in drawing the pen as the light strokes there suggest, but the pig looked like it was floating, without that. I miss my definitive ink lines, but I pushed forward because I love experiements and a challange. Click on the image to view an enlargement.
Yesterday I did make it to the Fair to test out my new selection of materials. As mentioned in the caption above, I decided this year to go with pencils and not use pens for sketching. This still seems very odd to me, but after the above warm up sketch, I had some good moments. The main difficulty for me is that at 9 x 7 the card size is a bit too large for me when working with pencil. I need to fill up the space quickly and the pencil doesn't do that, the way I use pencils. We'll see, as we move into other visits I may come to love these cards.
Left: Pigeon test sketch on the new wet media illustration board from Strathmore. Approx 5 x 7 inches. Faber-Castell Albrecht Dürer Watercolor Pencils. This is a pigeon I met at last year's State Fair. I drew it using sketches made at that time for reference. Click on the image to view an enlargement.
The Minnesota State Fair starts today!
One of the fun side effects of getting yourself organized for the State Fair—and no I don't go on Opener (as I like to call it to the consternation of fisherman everywhere) because I like to let the food vendors get the kinks out before I show up—is that you have the perfect excuse for trying out new paper. (OK, I don't really need much of an excuse. It just has to be a paper that might prove useful to me.)
Strathmore creates some excellent papers that literally make my work possible. I love their 500 Series plate Bristol for pen and ink work (2-ply) and for painting (5-ply). Many of their drawing papers are suitable for binding into journals used by visual artists. Their 500 Series is their top of the line paper. Now they have an addition to this series: Illustration Board for Wet Media.
Above: 9 x 7 inch trial journal card made of 300 lb. Fabriano Artistico Extra White hot press watercolor paper. Wild Turkey sketch using Faber-Castell Albrecht Dürer Watercolor Pencils. Click on the image to view an enlargement.
It’s time to make decisions—get paper and other media ready for sketching at the Minnesota State Fair. Yes I've been writing about this since August 12, but I still have some decisions of my own to make.
At the end of last week I was still thinking about what paper I wanted to work on. Since I had already purchased several sheets of 300 lb. hot press Fabriano Artistico I was hoping I liked it as much for the Faber-Castell Albrecht Dürer Watercolor Pencils I had decided to use, as I do for ink sketches (which I typically do at the Fair).
Above: A very dusty photograph (I didn't have a digital camera in 2003 yet; I scanned this image from the 2003 journal where I kept notes about colors used in this batch of sheets) of a 22 x 30 inch sheet of 300 lb. watercolor paper pre-painted for journal cards. Click on the image to view an enlargement.
I may have made some converts on Monday at the MCBA Visual Journal Collective—to using journal cards for the Minnesota State Fair. Having cards cut to a comfortable working size makes sketching and painting in the tight and crowded spaces of the Fair a lot easier.
I like to pre-paint my journal cards and several folks asked me how I do that, so I dug up this "before" photo to explain the simple process. You can see the State Fair Journal I made using cards from this paper here. If you haven't been reading my previous Minnesota State Fair Preparation Posts you could do that now (they start on August 12) and see additional examples of other types of journal cards. Or you could go to the journal selections page on my website and look for Fair and travel journals that use these cards.
Above: sketches made on different papers to test the Stabilo Tone's suitability for dog sketching Sunday August 2 and also for use at the State Fair at the end of August. Click on the image to view an enlargement. Full images of A, B, and C are discussed and shown below.
As readers of my blog will know from the past ten days, I've been on a bit of a Stabilo Tone (defunct art product, large wax, watersoluble colored pencil, now only available in a few uninteresting colors instead of the full, really fun range which included lovely grays!) binge.
I'm going to be working with them on Sunday, August 2 when I sketch dogs stopping by at Wet Paint during the Paws on Grand event. (NOTE: The time for that event is noon to 2 p.m. if you want the free pet sketch!)
the third finch sketch in my three bird series. Initial sketch in dark blue Stabilo Tone left dry, on Lana Aquarelle 140 lb. Hot
Press watercolor paper. Then I decided to add some additional colors; read below. (This journal is 5.5 x 6 inches, so the spread is 11 x 6 inches.) Click on the image
to view an enlargement.
More fun with big fat
crayon pencils. See the July 26 post for a description of how I'm
working this series. No water added here either. Again I liked the line
quality of my initial sketch and then I decided that I would fill in some color, smoothing the strokes out with my fingers in some areas (beak, cheek).
Left: the second finch sketch in my three bird series. This guy wasn't angry, it's just once you get that fat pencil tip in there to make a line…well, remember that discussion we had about quitting while you're ahead? Dark blue Stabilo Tone left dry, on Lana Aquarelle 140 lb. Hot Press watercolor paper. (Journal […]