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Saying Good-bye To The Bell Museum—My Last Day There and Some Musing on Painting

Or as I like to subtitle this post: On Painting Dead Birds… Left: 9 x 12 inch sheet of Stonehenge. Pen and gouache, with Montana Marker Background. Not from my last day, read below to find out more. Click on the image to view an enlargement. I love setting up projects with specific parameters, and […]

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Saying Good-bye To The Bell Museum

Above: Pen and watercolor sketch at the Bell Museum on 9 x 12 inch white Stonehenge paper. And yes Stonehenge is not a watercolor paper, but sometimes you just want to paint on what you want to paint on. Click on the image to view an enlargement. Sunday was the Urban Sketchers Twin Cities sketch […]

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Art Materials Nostalgia—Work It

Above: The set of 24 with some extras of my favorite colors—Berol Karisma Colour Pencils. In the front, a Global padded pencil case. Click on the image to view an enlargement. Decades ago a large portion of my artwork was in color pencil. It's a labor-intensive medium (stroke after stroke after stroke) but it allows for […]

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Sketching at the Bell Museum: Projects, Process, Portraits

Today is Remembrance Day. Typically I write a post about Remembrance Day. For some reason, prepping to write this post during a very contentious election I found that it was almost too emotional to write about this topic. You can read a past post here with a movie recommendation that will focus your thoughts. You […]

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Exquisite Corpse with Wet Paint

Above: An 18 x 30 inch acrylic painting I made on Stonehenge white. I began with a series of sketches and thumbnails. I blew elements up and composed them into place. I then drew my sketch with the Pentel Pocket Brush Pen and painted with Daniel Smith Acrylics, using large filberts—about 1- and 2-inches wide. Click on […]

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Changing Your Point of View

Left: Brush pen and acrylic marker sketch in a Shinola Sketchbook. See below for additional details. Click on the image to view an enlargement. I think it’s important when working in a series to change your point of view frequently. On this day I tried to get a handle on my friend’s features from a […]

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Learning a New Face

Above: Water-soluble ink brush pen and light layers of gouache in a Shinola Sketchbook. Click on the image to view an enlargement. For the past several months, off and on. I've been drawing a friend who has been kind enough to mug for the camera—all those faces that pass in an instant that I wanted to […]

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Someone Really Wants to Take Gouache to the Fair

Left: The scan of my second chicken test on the Canson Plein Air Watercolor Board (cold press). This is 9 x 12 inches and done with a Uni Posca Marker, the Pentel Pigment Brush Pen with the squeezy barrel, a Montana Acrylic Marker, and Daniel Smith Watercolors applied with a Niji water brush. Completed under […]

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Which Paper Will I Use at the 2016 Minnesota State Fair? Don’t Know—But I Can Tell You How I’ve Been Narrowing It Down

Left: My first runner-up for Fair Journal paper was white Stonehenge. Here’s a test piece I made while sketching from the TV one afternoon. It’s glued down to a larger page in my experiments journal. Click on the image to view an enlargement.  Which paper will I take to the 2016 Minnesota State Fair? I […]

My New Online Class: By Design—Why I Love It and Why I Think You’ll Love It Too

Above: Short video discussion of what the new “By Design: Creating the Intentional Page” contains. If it doesn’t show up here you can view it on YouTube. Note: All Roz Wound Up Classes now offer lifetime access. See the FAQ for details. Today I’m getting the word out about my latest online class—“By Design: Creating […]

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