Currently Browsing: Productivity

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Use What You Have Out

I have a lot of students who tell me they don’t have time to sketch. They tell me they have to make a space to work or they have to get supplies out. They tell me that they don’t have time to make background textures. They also admit that they are doing about 15 other […]

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Get Something Down on Paper, Even if You Think You’re Too Close to Your Subject

This post was originally published on January 30, 2017 during my site transition. Above: A page spread from my 8 x 9.25 inch Shinola Sketchbook. It has 112 pages of 100 lb. (148 gsm) acid free paper. I purchased it for $28 at Wet Paint in St. Paul. I’ve written about these whenever I post from it, […]

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My Goals for 2017 and The MCBA Visual Journal Collective’s Ninth Annual Portrait Party

This post was originally published on January 15, 2017 during my site transition. Note: The images in today’s post were sketched while I was sick with bronchitis and watching an episode of “Forged in Fire.” I LOVE THIS SHOW. Four blacksmiths compete in three rounds for $10,000. First they make a blade in 3 hours, then finish […]

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Saying Good-bye To The Bell Museum—My Last Day There and Some Musing on Painting

Or as I like to subtitle this post: On Painting Dead Birds… Left: 9 x 12 inch sheet of Stonehenge. Pen and gouache, with Montana Marker Background. Not from my last day, read below to find out more. Click on the image to view an enlargement. I love setting up projects with specific parameters, and […]

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Roz’s 2016 End-of-Year Wrap Up

Above: My year-end assessment, usually made around Thanksgiving, of how many journal pages I have to finish. This year I was testing a lot of commercially bound journals and had a bunch of journals going. This page was scanned before the Large Nostalgie was filled on 12.30.16, and before the Loose Sheets and Bell Museum project […]

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Project Friday—Improving Your Drawing Practice with Repetition, the Right Tool, Being Invested, and Celebration

Above: Practice sketches in a 6 x 8 inch journal using a thick, soft, solid, fiber-tipped black brush pen and Montana Marker (background) as well as a large, fat-leaded Lyra metallic pencil. I'm feeling around to sense the nuance in the pose, the angle of the eyes, the negative space that first attracted me, to […]

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Saying Good-bye To Rubber Stamping?

Left: Six stacks of drawers and a couple boxes of materials waiting for the pick up. (Materials on the table are from an aborted trip I couldn't take because of an injury—I didn't even worry about putting that stuff away, I was that focused on sending the stamps to their new home.) The boxes contain the […]

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Art Materials Nostalgia—Work It

Above: The set of 24 with some extras of my favorite colors—Berol Karisma Colour Pencils. In the front, a Global padded pencil case. Click on the image to view an enlargement. Decades ago a large portion of my artwork was in color pencil. It's a labor-intensive medium (stroke after stroke after stroke) but it allows for […]

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Artist’s Sketchbook—A New Book on Sketching from Cathy Johnson

Left: Cover of the Artist's Sketchbook. Click on the image to view an enlargement. The publication of a new painting or sketching book from Cathy Johnson is always an happy and exciting event for me. Johnson is one of my art heroes. Like many other artists I was first aware of her work through her how-to-articles […]

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Someone Really Wants to Take Gouache to the Fair

Left: The scan of my second chicken test on the Canson Plein Air Watercolor Board (cold press). This is 9 x 12 inches and done with a Uni Posca Marker, the Pentel Pigment Brush Pen with the squeezy barrel, a Montana Acrylic Marker, and Daniel Smith Watercolors applied with a Niji water brush. Completed under […]

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