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Useful Tools: The Molotow Grafx Art Masking Liquid Pump Marker

If you paint in watercolor, inks, or acrylics, chances are at some point you’ve tried to mask something off so that you could retain the white of your paper, or an earlier color that you had laid down.  Artists use lots of products for masking—tape is the obvious one, especially if you want to create […]

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Housekeeping on Roz Wound Up

So I’m wondering how many readers know I have a newsletter? Since launching the new platform I’ve tried to do a newsletter every four to six weeks. The newsletter deals with information that I think my blog readers would enjoy—information on art-related books, art materials and so on. To make it interesting and non-repetive for […]

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Fitting More Pans in a Square Metal Palette from Schmincke

As the Minnesota State Fair approaches of course I’ve been testing pigments and making choices on what gear I’ll be taking to the Fair for sketching. Today I’m posting about adapting my favorite metal palette box to contain more pans of paint—because sometimes you need more pans. I’ve been a fan of the Schmincke metal […]

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Contour Line Sketches Are a Great Way to Warm Up

This post was originally published on February 17, 2017 during my website transition. Left: Here’s a less than 5-minute contour sketch I made of my husband Dick as he sat in the TV room. I used a fine point fountain pen. The sketch is in an 8 inch square journal. The squiggles in the hair […]

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Art Materials Nostalgia—Work It

Above: The set of 24 with some extras of my favorite colors—Berol Karisma Colour Pencils. In the front, a Global padded pencil case. Click on the image to view an enlargement. Decades ago a large portion of my artwork was in color pencil. It's a labor-intensive medium (stroke after stroke after stroke) but it allows for […]

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Gouache In the Hahnemühle Nostalgie

Above: In the 8.27 x 11.69 inch (A4) size Hahnemühle Nostalie Journal I sketched this finch from pet store photos. I used a Faber-Castell Pitt Calligraphy pen and then painted with gouache. I played with different layers and reworked areas, specifically in the background because I wanted to push the paper—it was so fun to put paint […]

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Exquisite Corpse with Wet Paint

Above: An 18 x 30 inch acrylic painting I made on Stonehenge white. I began with a series of sketches and thumbnails. I blew elements up and composed them into place. I then drew my sketch with the Pentel Pocket Brush Pen and painted with Daniel Smith Acrylics, using large filberts—about 1- and 2-inches wide. Click on […]

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It’s Fall—I Sketch a Pumpkin

Above: 8 x 8 inches. Pentel Brush Pen with pigment ink (gray squeezy barrel) and Schmincke gouache on OLD (and defunct and no longer available) Folio paper. Click on the image to view an enlargement. Left: Here's a detail section from the above image. Click on the image to view an enlargement.  Dick showed up […]

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A Bit of Watercolor in the Seawhite of Brighton Sketchbook

Note: I discovered while creating this post that I've been listing this commercially bound journal as "Seabright" not "Seawhite." I apologize for the confusion if this has caused you any. I just have to plead stress and exhaustion from some family duties. I'm not using this journal every day and I simply failed one day […]

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Changing Your Point of View

Left: Brush pen and acrylic marker sketch in a Shinola Sketchbook. See below for additional details. Click on the image to view an enlargement. I think it’s important when working in a series to change your point of view frequently. On this day I tried to get a handle on my friend’s features from a […]

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